When Fred gets out of prison, he decides to start over in Miami, where he starts a violent one-man crime wave. He soon meets up with amiable college student Susie. Opposing Fred is Sgt Hoke Moseley, a cop who is getting a bit old for the job, especially since the job of cop in 1980’s Miami is getting crazier all the time.

Years after their successful restaurant review tour of Northern Britain, Steve Coogan and Rob Brydon are commissioned for a new tour in Italy.

A woman escapes from a mental hospital, intent on getting back the life she thinks was stolen from her by her twin sister. Instead, she walks into her worst nightmare.

A yellow cab is driving through the vibrant and colourful streets of Tehran. Very diverse passengers enter the taxi, each candidly expressing their views while being interviewed by the driver who is no one else but the director Jafar Panahi himself. His camera placed on the dashboard of his mobile film studio captures the spirit of Iranian society through this comedic and dramatic drive…

Emilie has been hired to care for the four sons of wealthy Adam Stoddard and his wife, Molly. After Molly dies, Adam and the boys grow to depend on Emilie even more. At the same time, Emilie falls in love with Adam. The boys grow up, but Adam insists that Emilie stay on as part of the family. Her relationships with both the boys and Adam become strained after one son marries a gold-digging viper named Hester. Written by Daniel Bubbeo

The film is about the French film industry from 1942 to 1944 during the Nazi occupation. The film focuses on assistant director and resistance fighter Jean Devaivre and screenwriter Jean Aurenche. Aurenche is on the move so that he doesn’t have to write anything collaborationist. Devaivre is in dangerous political activity. Devaivre also works for the German production company Continental where he is respected. On the other hand, Aurenche’s scriptwriting doesn’t help how he lives and he is a womanizer which causes him to procrastinate.

In London, August 1914, Austrian star Elsa Duranyi (Gertrude Michael) and English matinee idol Alan Barclay (Herbert Marshall) are in love and plan an immediate marriage. But the War comes and Elsa mysteriously disappears. Alan’s ease in speaking German results in his appointment to the British Intelligence and, to aid his use as a spy, they announce he was killed in action. He takes the name and personality of “shell-shocked” Hans Teller, a German prisoner, and is sent into Germany on an exchange of prisoners.

After a bad breakup with his girlfriend leaves him heartbroken, Carter Webb moves to Michigan to take care of his ailing grandmother. Once there, he gets mixed up in the lives of the mother and daughters who live across the street.

Kang lives alone in a big house, Non in a small apartment in town. They meet, and then part, their days flowing on as before.

They’re all nuts. Her parents, who want to send her off to boarding school. Her new teacher, who expects her to read impossibly old books. Her fellow band members, who make her sing ridiculous lyrics and dress her up in a frilly white dress for their first show. Everyone seems to know what she should do and how she should act. And it’s not like 13-year-old Aurore has any fundamental problem with changing herself either. Who would want to be like this: unhappy, ugly and emotionally withdrawn? But the others don’t seem all that much happier to her either. She definitely doesn’t ever want to be as old, rundown and lonely as her mother. And so she prefers to stay the way she is, to observe and make her biting comments on whatever comes her way.

A group of young friends and neighbours come together for a fishing expedition after rumours spread of a giant carp in the area. In a world of broken families, cassette tapes and rumbling political fever, these friends, each with their own struggles to bear, share a moment of harmony.

A stranded carnival dancer takes on a corrupt political boss when she marries into small-town society.