Over the past 25 years, Lauren Greenfield’s documentary photography and film projects have explored youth culture, gender, body image, and affluence. In this fascinating meld of career retrospective and film essay, Greenfield offers a meditation on her extensive body of work, structuring it through the lens of materialism and its increasing sway on culture and society in America and throughout the world. Underscoring the ever-increasing gap between the haves and the have-nots, her portraits reveal a focus on cultivating image over substance, where subjects unable to attain actual wealth instead settle for its trappings, no matter their ability to pay for it.

For 31 years Dennis Rader aka BTK killer was able to live a double life. This documentary chronicle’s comprehensive interviews with law enforcement, victim’s family members, reporters and his daughter Kerri Rawson.

Raphael: The Young Prodigy tells the story of the artist from Urbino, beginning with his extraordinary early portraits of women – the Mother, the Friend, the Secret Lover and the Client. Delve into Raphael’s uncanny ability to capture celestial beauty, and to focus his gaze beyond the physicality and into the psychology of his subjects (some real, some imaginary) so that their personalities explosively emerge from his canvas. With fascinating contributions from internationally renowned experts, this documentary will uncover the most significant people and places and inspirations in the life and times of Raphael – a Renaissance leader and one of the most spectacular painters in history.

Every year an average of one thousand American police officers are arrested for misconduct or corruption, and the abuse of power is a legacy that stretches back to the dawn of US policing. BLUE CODE OF SILENCE tells the true story about a crooked police officer in 1970s New York who brought down the most corrupt police unit in American history. Who was detective Bob Leuci?

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic’s first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris’ performance in the decathalon and the games’ majestic closing ceremonies.

A documentary which explores the connections among sound, rhythm, time, and the body by following percussionist Evelyn Glennie, who is nearly deaf.

A documentary film about the life of Star Trek’s Mr. Spock as well as that of Leonard Nimoy, the actor who played Mr. Spock for almost fifty years, written and directed by his son, Adam Nimoy.

Jean-Luc Godard brings his firebrand political cinema to the UK, exploring the revolutionary signals in late ’60s British society. Constructed as a montage of various disconnected political acts (in line with Godard’s then appropriation of Soviet director Dziga Vertov’s agitprop techniques), it combines a diverse range of footage, from students discussing The Beatles to the production line at the MG factory in Oxfordshire, burnished with onscreen political sloganeering.

A documentary on Kingsman: The Secret Service.

A documentary revisiting the global television phenomenon LOST. Featuring interviews with the cast and crew, as well as members of the loyal fan base who still celebrate the show twenty years after it originally aired.

A portrait of the great radical Cuban film maker Santiago Alvarez.

Twenty-five years after the edition of “Mutantes S.21”, Mão Morta returned to Theatro Circo for a celebration of their iconic album which remains an important milestone in Portuguese music. The album’s nine tracks, recorded and filmed live throughout the concert, are interspersed with some of the album and Mão Morta’s stories told by members and former member of the group; and with documents from that time, including footage of the concert twenty-five years earlier.