A terminally ill man falls in love with a woman who has a secret that threatens their time spent together.

The friends who attended the same boarding school meet and take turns telling their recent romantic experiences. These turn out to be as varied as they are crisp, from the initiation of a student by a teacher to the misunderstanding in the company of a lord, through the false English but true seducer, the swimmer obsessed with his physical condition and, obviously, love in a group (Le Chat Qui Fume).

A wrestling fan is instructed to kidnap a teenage girl who bears a striking resemblance to his dead sister in order to save Christmas.

Granny’s family wants her dead so they can collect her insurance. While she is on her death bed, she drinks an eternal life potion and returns to the land of the living. She is on a mission to wreak havoc over her greedy relatives.

“The Antman” is a lovingly-made but sluggish monster-movie parody, done with German-speaking actors on a sparse soundstage standing in for 1950s Mexico. Promising concept is bolstered by colorful performances by Gotz Otto and Lars Rudolph, and the filmmakers have fun with pic’s look, right down to tacky lighting worthy of Roger Corman. But Marc Meyer’s script isn’t fast or funny enough to keep pace with energetic visuals. The first in a projected series of B-movie homages grouped as “Planet B,” the producers might want to call in Joe Dante to supervise the rest, as “Antman” seems unlikely to crawl very far beyond its native borders

Between sets from his hilarious live stand-up routine, in which he riffs on everything from Michael Jackson to terrorism, comedian Eddie Griffin tours his hometown of Kansas City and introduces viewers to his eccentric clan in this edgy mockumentary. Griffin’s uproarious family members include oddballs such as Uncle Buckey, a former pimp, and Uncle Curtis, who possesses an extensive porn collection … much of which he filmed himself!

The story takes place at a summer theater in the Berkshire Mountains, where heroine Joan Barry (Carol Bruce) is staging a Broadway-bound musical comedy. Only one problem: two guest stars are shot and killed on two successive evenings, right in front of the audience. Hoping to solve the mystery, detective William Demarest demands that everyone — actors and theatergoers alike — return the following weekend to restage the show. But with no major performer willing to assume the fatal guest-star slot, Joan is forced to hire the Three Jolly Jesters (Al, Harry and Jimmy Ritz), Manhattan washroom attendants with showbiz aspirations.

The “black sheep” son of a wealthy family meets a young psychiatric patient who’s been raised in isolation her entire life. He takes the naive young woman home for his brother’s wedding an improbable romance blooms, as she impresses everyone with her genuine, simple charms. Remake of the German film “Barfuss” (2005).

A woman screenwriter lives in a shabby bungalow in order to be near her husband, a 39-year-old newspaper editor who has just joined the army.

Lisa is moving. Upheaval all around: Her mother flirts with a handyman. An eccentric woman seems to be preparing for a glamorous event, a family next door returns from vacation, and a girl documents the adventurous day. As boxes are transported, walls painted white, and furniture is assembled, underlying problems in need of fixing are revealed, a to-do list expands, and desires and needs flair up.

A convict out on parole finds employment as the caretaker of a multi-millionaire, who is paralysed from neck down.

As the only relative to take over the Royal throne, a down on his luck American slob must learn the ways of the English.