Do You Like My Basement? tracks how one man’s creative frustration bore a need to make the perfect horror film. Stanley Farmer was rejected universally by the film world. His frustration provoked a darker side and soon cunning, guile, devilish charm and a sociopath’s streak compelled him to produce a home-made magnum opus. A film that blurs the lines between reality and fiction and demands the attention of the very world that spurned him.

A hard-on-his-luck hound finds himself in a town full of cats who need a hero to defend them from a ruthless villain’s evil plot to wipe their village off the map. With help from a reluctant teacher to train him, our underdog must assume the role of town samurai and team up with the villagers to save the day.

The year is 2XXX and Keiko Town is an over-industrialized stretch of blackened factories pumping out thick layers of smoke that cast it in a perpetual state of semi-darkness. The citizens of Keiko Town fare no better and walk around their dilapidated town in a stupor of hopeless despair. In an abandoned factory in an obscure corner of town lies the secret base of Hikari Club. The teenage boys of Hikari Club despise the adults of their community and have taken it upon themselves to eradicate what they perceive to be the evil and filth of the grown-up world. To accomplish this, they build a machine with artificial intelligence and dub it “Litchi”. However, with the boys on the cusp of puberty and turning into adults themselves, their own world has begun to collapse around them.

Hopeful romantic Thibault believes his luck could change when sparks fly between him and Rose. But can he go from bestie to boyfriend?

British comedian Jimmy Carr unleashes his deadpan delivery and wickedly funny one-liners to a sold-out audience at the UK’s Hammersmith Apollo.

High School is as much a time of fear and self-doubt as it is for dreams. In One More Dream, we get a glimpse into the life of African American teen, Jeremy, as he tries to understand how the heartbreaks of adolescence impacts the lives of his friends.

Sierra Young is a rising ingénue, making $10 million per picture. She’s also a spoiled brat, partying all night, complaining on the set, unable to perform well. After a tantrum, in which she gets two black eyes, the director has her sent to a rehab clinic in a remote Utah town. Within a day, she’s run away and is taken in by Nettie, who runs a bed and breakfast inn. Sierra also meets Nettie’s grandson, Tyler, head of the local community theater. Sierra invents a name, tells Nettie a wild story, and reads for a part in Tyler’s production of “Taming of the Shrew.” Meanwhile, her entourage hires a private eye to find her. In a small town of real people, will she find herself first?

A young woman tired of being the rebound girl makes rules for herself to avoid that situation. But she is immediately challenged when she makes a connection with another heartbroken young man.

A common friend’s sudden death brings three men, married with children, to reconsider their lives and ultimately leave the country together. But mindless enthusiasm for regained freedom will be short-lived.

A man belongs to a middle-class family and is intent on pursuing his career with a music group, despite his dad’s disapproval. He is also in love with the lead singer, but she sees him mainly as a friend.

Recorded live at The Paris Theatre in his hometown of Portland, OR, Matt Braunger offers insights on the world, the bad decisions that have shaped him, and how they brought him to find his better half. Braunger talks about the mistakes he’s made and, if not maturity, the perspective he’s gained with age.

As a politician, Joo Sang-Sook (Ra Mi-Ran) attempted to run for the fourth time as a member of the nationally assembly. After visiting her grandmother, Joo Sang-Sook was unable to tell a lie. Now, Joo Sang-Sook attempts to return to the political world.