A woman escapes from the man who is about to rape her, but leaves her purse behind. Afraid that her attacker might come after her, she goes to the police, but with no proof of the incident, they can do nothing. In fact, the man does use the information in her bag and comes to her apartment with the intent of rape, but she sprays him in the face with insect repellent, and then holds him captive. She is then faced with deciding whether to go to the police who might not believe her and release him, or to kill him.
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Two hired assassins working for a Mexican cartel are faced with something unimaginable: they get to custody a 10-years-old girl, the daughter of the head of their rival clan, who has kidnapped the son of their boss. The situation is terrible: or an exchange takes place, or somebody will have to carry out a job that no amount of blood on their hands could ever have prepared them for.
When a new boy is employed to work in a coffee shop, he turns out to be a schizophrenic who refuses to take his medication, and makes the life of the popular young waitress who works there a misery.
Four Lions tells the story of a group of British jihadists who push their abstract dreams of glory to the breaking point. As the wheels fly off, and their competing ideologies clash, what emerges is an emotionally engaging (and entirely plausible) farce. In a storm of razor-sharp verbal jousting and large-scale set pieces, Four Lions is a comic tour de force; it shows that-while terrorism is about ideology-it can also be about idiots.
After years of treatment at a mental institution for the criminally insane, serial killer Norman Bates is finally released. Deciding to move back into his long-dead mother’s infamous old house, he soon finds himself tormented by “her” demands and begins to question his own sanity.
A rude, contemptuous talk show host becomes overwhelmed by the hatred that surrounds his program just before it goes national.
During WWII, the United States set up army bases in Great Britain as part of the war effort. Against their proper sensibilities, many of the Brits don’t much like the brash Yanks, especially when it comes to the G.I.s making advances on the lonely British girls. One relationship that develops is between married John, an Army Captain, and the aristocratic Helen, whose naval husband is away at war. Helen loves her husband, but Helen and John are looking for some comfort during the difficult times.
When a drifter befriends a quirky mortician, an unlikely business partnership is formed. Paranoia soon develops, however, and both men are forced to come to terms with the fragility of friendship and loyalty.
A fading actor best known for his portrayal of a popular superhero attempts to mount a comeback by appearing in a Broadway play. As opening night approaches, his attempts to become more altruistic, rebuild his career, and reconnect with friends and family prove more difficult than expected.
