A bloody thriller (sort of Agatha Christie does The Twilight Zone) morphs into its own “making of”, a really talky one – a conversation about film, about fear, about fiction. The type of film where the less you know, the better. The title is almost a malaprop – a better one would’ve been F for Fake, but it was already taken. Howard Hawks said that a great movie needs three good scenes and no bad ones. This movie has only three scenes – so there you go.
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Leading a double life, Chef Ronnie spends her days as a charming celebrity chef who thrives and shines as owner of a trendy Spanish tapas restaurant in San Francisco, and spends her nights in ways too gruesome to fathom. As Chef Ronnie’s reputation scorches up the culinary scene, San Francisco’s murder count hits a record high. Haunted by her past in the form a vengeful lover, and caught in the seductive cross fire of an increasingly serious relationship; Chef Ronnie has bitten off more than she can chew.
In remote Western Australia, two estranged farmer brothers, Colin and Les, are at war. But when Les’ prize ram is diagnosed with a rare and lethal illness, authorities order a purge of every sheep in the valley – so the brothers must work together to to reunite their family, save their herd, and bring their community back together.
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