The story of one of the West Endandapos;s most celebrated characters is discovered by Suzy Klein. She explores the world of musical theatre as well as the colourful landscapes of Argentina.
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The first of two Latinas to represent Texas in Congress, Veronica Escobar, and the only African-American woman to run for city council in Austin in 2018, Natasha Harper-Madison, lead a diverse group of progressive voices across Texas as they fight decades of institutional racism and policies of discrimination along the border. The battle over immigrant rights, land seizures to build the border wall, and the troubled racial history of the state form the backdrop to a film that explores how a place once known for its reactionary politics is becoming more liberal, more diverse—and more at risk for violent conflict.
In 1981, chalk slogans written in uppercase letters started appearing in public spaces in the Romanian city of Botoşani. They demanded freedom, alluded to the democratic developments taking place in Romania’s socialist sister countries or simply called for improvements in the food supply. Mugur Călinescu was behind them, who was still at school at the time and whose case is documented in the files of the Romanian secret police. Theatre director Gianina Cărbunariu created a documentary play based on this material.
The Crash Reel tells the story of a sport and the risks that athletes face in reaching the pinnacle of their profession. This is Kevin Pearce’s story, a celebrated snowboarder who sustained a brain injury in a trick gone wrong and who now aims, against all the odds, to get back on the snow.
Taylor Swift takes the stage in Dallas for the Reputation Stadium Tour and celebrates a monumental night of music, memories and visual magic.
Featuring shocking, never-before-seen law enforcement video surrendered by a disgraced officer, End of the Line: The Women of Standing Rock is the incredible story of the indigenous women who establish a peaceful camp in protest of the $3.8 billion Dakota Access oil pipeline construction that desecrated ancient burial and prayer sites and threatens their land, water, and very existence.
British boxer Ricky Hatton incredible journey from Manchester Council estate to fighting in Las Vegas. Also explores themes of celebrity and mental health, acting as both a celebration of talent and cautionary talent.
A place: Theresienstadt. A unique place of propaganda which Adolf Eichmann called the “model ghetto”, designed to mislead the world and Jewish people regarding its real nature, to be the last step before the gas chamber. A man: Benjamin Murmelstein, last president of the Theresienstadt Jewish Council, a fallen hero condemned to exile, who was forced to negotiate day after day from 1938 until the end of the war with Eichmann, to whose trial Murmelstein wasn’t even called to testify. Even though he was without a doubt the one who knew the Nazi executioner best. More than twenty-five years after Shoah, Claude Lanzmann’s new film reveals a little-known yet fundamental aspect of the Holocaust, and sheds light on the origins of the “Final Solution” like never before.
Sweat, sun, rain, tears, and green thumbs are all part of the challenge for a young couple attempting to become full-time organic farmers in this illuminating doc.
In his first New York City-set documentary in nearly a decade, filmmaker and provocateur Abel Ferrara uses the experience of one longtime cinema owner to chart the vast changes to the city’s theatrical landscape.
IRIS pairs legendary 87-year-old documentarian Albert Maysles with Iris Apfel, the quick-witted, flamboyantly dressed 93-year-old style maven who has had an outsized presence on the New York fashion scene for decades. More than a fashion film, the documentary is a story about creativity and how, even in Iris’ dotage, a soaring free spirit continues to inspire. IRIS portrays a singular woman whose enthusiasm for fashion, art and people are life’s sustenance and reminds us that dressing, and indeed life, is nothing but an experiment.
Snoop Dogg hosts a night of music and stand-up as he welcomes his friends — including legendary comedians Katt Williams and Mike Epps — to the stage.
The crew have now set off to finish what as left over from Jackass 2.0, and in this version they have Wee Man use a ‘pee’ gun on themselves, having a mini motor bike fracas in the grocery mall, a sperm test, a portly crew member disguised as King Kong, as well as include three episodes of their hilarious adventures in India.