A redneck con artist sets himself up as a preacher in a small Deep South town to run his moonshine distillery and clashes with a number of locals and a federal agent bent on shutting his operation down.

Williamstown, Kentucky, is home to the Ark Encounter – a “life-size” creationist museum filled with all of the creatures that traveled in Noah’s Ark, including dinosaurs. With incredible access to the park leading up to its opening, the filmmakers expose the larger system behind the creationist movement, piecing together the many factors that have led to the museum presenting its information as historical fact, and the people who are fighting to set the scientific record straight. Amid a climate of science denial and a well-funded corporate behemoth, three Kentuckians (a local geologist, an ex-creationist, and an atheist activist) try their best to challenge the movement that is taking over their home state. Meanwhile, fervent believers work diligently to create the lifelike animatronics that will be on display in the Ark.

Reflecting Peter O’Toole’s theatrical legacy, this feature documentary is structured into four acts, each introduced by a quote about O’Toole that encapsulates his life during a specific period.

Phil Broker is a former DEA agent who has gone through a crisis after his action against a biker gang went horribly wrong and it cost the life of his boss’ son. He is recently widowed and is left with a 9-years-old daughter,Maddy. He decides to quit the turbulent and demanding life of thrill for Maddy’s sake and retires to a small town. His daughter fights off a boy who was bullying her at school and this sets in motion a round of events that end in his direct confrontation with the local Meth drug lord. His past history with the biker gang also enters the arena, making matters more complex. But he has a mission in his mind to protect his daughter and he is ready to pay any cost that it demands.

In an Argentina divided between a deep conservatism and an unprecedented momentum in feminism, the film delves into the political journey and intimate lives of Claudia and Violeta. Trans women who identify as transvestites, the fight they lead with their comrades against the patriarchal violence is visceral and embodied. Convinced of their roles at the center of an ongoing revolution that intersects with so many struggles, in defiance of the old world they redouble their energy to invent a new present, to love and stay alive.

In Distance Between Dreams, the most historic year in big wave surfing comes to life through the eyes of iconic surfer Ian Walsh, as he sets mind and body in motion to redefine the upper limits of what’s considered ‘rideable.’ With massive El Niño powered swells building across the Pacific, Ian, Shaun, D.K. and Luke Walsh band together in the way only brothers can on a quest to progress surfing to unimaginable heights. Big wave surfing’s transition from jet ski assists to paddling in raises the stakes, putting Walsh’s intense physical and mental training, the latest technology, swell modeling, and safety team, his brothers, to the ultimate test. Surfers John John Florence, Greg Long, Shane Dorian and more link up with Walsh as he rides an emotional rollercoaster through this momentous winter.

When a brave high school student takes a stand against state-mandated BMI tests of her peers, she finds herself in the middle of a heated national controversy, sparking a battle of wills between herself and government officials.

A woman awakens from a coma after a car accident and begins having shocking visions of her future murder. It’s a race against the clock as she tries to solve and prevent her own murder.

The cold war, the space race, and NASA’s moon landing are landmark events that defined an era. But they are also fodder for conspiracy theories.
In Houston, We Have a Problem! filmmaker Žiga Virc adds new material to the discussion on both fronts. This intriguing docu-fiction explores the myth of the secret multi-billion-dollar deal behind America’s purchase of Yugoslavia’s clandestine space program in the early 1960s.

Ethan Hawke directs this intimate documentary portrait of classical pianist, composer, author, teacher and sage Seymour Bernstein.

In this third installment of the “Olga” series, our heroine adds jewel smuggling to her repertoire of dope pushing and white slavery. As the vicious Olga (Audrey Campbell) expands her criminal empire, she also encounters more resistance as a string of once-trusted partners turn traitor in an effort to steal the successful racket out from under her. The result is exactly what fans of the series expect, a barrage of torture scenes featuring soldering irons, floggings, spankings, and even an electric chair. As with its predecessors, Olga’s House of Shame is a silent black and white film with narration to explain the action, but even with direct commentary it’s difficult to keep track of the characters and Campbell (who is occasionally caught laughing out loud at the absurdity of it all) has all the menace of a kindergarten teacher, even when wielding a machete.

With a God-inspired moral obligation to act against evil, twin brothers Conner and Murphy set out to rid Boston of criminals. However, rather than working within the system, these Irish Americans decide to take swift retribution into their own hands.