At Phoenix Progressive School, students take notes lying on parlor couches and are encouraged to explore their gifts through electives like break-dancing and graphic-novel writing. In the midst of all this liberal pedagogy and budding talent, Molly Maxwell feels unexceptional, until she embarks on a photography independent study under the tutelage of her attractive English teacher, Ben. Their relationship quickly evolves beyond the darkroom, introducing Molly to the throes of a first love, and putting Ben’s job in jeopardy.

Ken is quick to adopt a change in personality by becoming an “on-the-ball” recruit, even more so than “Wayang King” Aloysius. Differing viewpoints sour the friendship between Ken and Lobang. Meanwhile, Ken’s father has become partially paralyzed because of his stroke but is determined to make a recovery. After booking out, Aloysius seeks advice from his parents as he feels excluded from the group; his father (Chen Tianwen) tells him the best solution is not to do anything. Back at Tekong, Recruit IP Man learns about “Real Bullet” Zhen Zidan (Benjamin Mok), an “Ah Beng” who stole his girlfriend Mayoki (Sherraine Low). IP Man hits back by criticizing Mayoki for her inferior qualities.

There is something horribly wrong with the bodies found in the dark city streets. Some are mutilated while others have the Price equation (wΔz = Cov (w,z) = βwzVz) carved into their flesh. Detective Eddie Argo and his new partner Helen Westcott unearth the meaning of the odd equation and realise each victim is being offered a gruesome choice: kill your loved ones, or be killed. Before long it becomes clear that the perpetrator has suffered a similar fate and is now coping by seeking a way to solve this philosophical dilemma.

A woman gets help from her gangster friends after her foster son takes the blame for a murder he did not commit.

Directed by Christopher Menaul (‘Summer in February’, ‘Fatherland) and written by Jenny Lecoat, Another Mother’s Son tells the true story of Louisa Gould, a widow living in Nazi occupied Jersey who takes in a Russian prisoner of war, Feodor Burrij. Jenny Seagrove, Julian Kostov, John Hannah, Ronan Keating and Amanda Abbington star. The producer is Bill Kenwright.

Cheung and Lau are two men who grew up together as brothers. However, they end up as enemies who hunt each other down after following different paths in life.

Matko is a small time hustler, living by the Danube with his 17 year old son Zare. After a failed business deal he owes money to the much more successful gangster Dadan. Dadan has a sister, Afrodita, that he desperately wants to see get married so they strike a deal: Zare is to marry her.

Four college seniors open a bogus sex clinic, which unexpectedly mushrooms into a multi-million dollar business.

A young Dutch soldier deployed to suppress post-WWII independence efforts in the Netherlands’ colony of Indonesia finds himself torn between duty and conscience when he joins an increasingly ruthless commander’s elite squad.

After a night of carousing, a rich oil tycoon awakes to find that he was married the night before. He calls in his lawyer to straighten things out.

Never-wed, poor, rough around the edges Apple Annie has always written to her daughter, Louise, in Spain that she is married and a member of New York’s high society. Upon receiving unexpected word from Louise (who hasn’t seen Annie since infancy) that she is en route to America with her new fiancé and his father, a count, so the three of them can meet her, Annie panics, despairing that her beloved daughter will be destroyed by the deception.

Honest Man: the Life of R. Budd Dwyer is a movie about politics and corruption, suicide and survival. The film chronicles Dwyer’s meteoric rise to political power and examines the bribery scandal and subsequent trial that pushed him to his breaking point. Honest Man also delves into the controversy and consequences of the uncensored airing of Dwyer’s death on television stations worldwide. Honest Man reveals a story that has remained untold for over 24 years. The film features exclusive new interviews, including William Smith, the man whose testimony convicted Dwyer, and Dwyer’s widow Joanne–her last interview before her death in 2009. Was Dwyer venal, or a victim? Did he kill himself because he couldn’t live with being guilty, or because he couldn’t live with being innocent? Honest Man allows audiences to judge for themselves.