Recalls the day when Holocaust survivors took their first steps into freedom, unaware of their future. Every Face Has a Name puts a name on those nameless faces and lets them recount their feelings of that day, the 28th of April, 1945.
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Academy Award winner Morgan Freeman (“Million Dollar Baby”) narrates the documentary about the incredible true story of nature’s greatest explorers—lemurs. Captured with IMAX 3D cameras, “Island of Lemurs: Madagascar” takes audiences on a spectacular journey to the remote and wondrous world of Madagascar. Lemurs arrived there as castaways millions of years ago and evolved into hundreds of diverse species but are now highly endangered. Join trailblazing scientist Patricia Wright on her lifelong mission to help these strange and adorable creatures survive in the modern world
Jean-Luc Godard is synonymous with cinema. With the release of Breathless in 1960, he established himself overnight as a cinematic rebel and symbol for the era’s progressive and anti-war youth. Sixty-two years and 140 films later, Godard is among the most renowned artists of all time, taught in every film school yet still shrouded in mystery. One of the founders of the French New Wave, political agitator, revolutionary misanthrope, film theorist and critic, the list of his descriptors goes on and on. Godard Cinema offers an opportunity for film lovers to look back at his career and the subjects and themes that obsessed him, while paying tribute to the ineffable essence of the most revered French director of all time.
Fatima has become an activist to challenge sex trade in her community. Married off to a pimp as a child-bride and expected to become a sex-worker by her in-laws, she has a genuine knowledge of and access to the women in her community. Fatima tries desperately hard to prevent her children going into the sex trade. She divorces her husband and as we follow her personal ups and downs: falling in love again, trying to start a new family, we find out more about why she chose to fight against the abuse and exploitation that has become systemic in her community. Despite the forces of police corruption and community ties hampering her efforts, Fatima appears to be rewarded both as an activist and in her personal life. But there is growing resentment and Fatima’s hopes appear to be constantly overwhelmed by the challenges facing her and her new family.
The life and work of Robert Frank—as a photographer and a filmmaker—are so intertwined that they’re one in the same, and the vast amount of territory he’s covered, from The Americans in 1958 up to the present, is intimately registered in his now-formidable body of artistic gestures. From the early ’90s on, Frank has been making his films and videos with the brilliant editor Laura Israel, who has helped him to keep things homemade and preserve the illuminating spark of first contact between camera and people/places. Don’t Blink is Israel’s like-minded portrait of her friend and collaborator, a lively rummage sale of images and sounds and recollected passages and unfathomable losses and friendships that leaves us a fast and fleeting imprint of the life of the Swiss-born man who reinvented himself the American way, and is still standing on ground of his own making at the age of 90.
On 9/11, photo-journalist & filmmaker, Andrea Booher, was designated by Mayor Guliani as one of the only two photographers allowed unlimited, 24 hour access. She was assigned to the Urban Search & Rescue teams, whose only mission was to find survivors.
When six teenage boys came together as a skateboarding team in the 1980s, they reinvented not only their chosen sport but themselves too – as they evolved from insecure outsiders to the most influential athletes in the field.
The long and hard road that the makers of Waterworld had to face when making the, then, highest budgeted film.
Leonhard Lapin is the classic and the enfant terrible of Estonian contemporary art, constantly followed by scandals, lewd legends and envious grumbling. Lapin confidently steps on the cornea of mediocrity, enjoying the situation to the fullest. Loved by his muses, the artist is not ashamed of his dalliances. He still has plenty at the grand old age of 70. The new Estonian film opens the doors to a disappearing Bohemianism, in which racy vocabulary reigns instead of political correctness.
In June of this year we were fortunate enough to return to Mexico City for three sold out shows at Foro Sol Stadium and with 155,000 of you there over the three nights, we knew it would be extra special. So we asked our friend Wayne Isham to join us with a film crew and the results of that crazy, magical, most memorable long weekend are shown here on this single disc pressing.
At All Costs is a documentary set in the world of elite youth grassroots basketball that explores how the AAU system has professionalized youth basketball in America. We follow highly recruited ‘blue chip’ prospects, their families, and their teams as they navigate the shaky terrain of the AAU circuit in pursuit of their dreams.
A video about and featuring penthouse models, and their taking it off!
Explore Woodstock 99, a three-day music festival promoted to echo unity and counterculture idealism of the original 1969 concert but instead devolved into riots, looting and sexual assaults.
