“Mr Mojo Risin’” is the story of the making of the Doors’ last album with Jim Morrison “L.A. Woman”. 2011 is the 40th anniversary both of the album’s release and of the death of Jim Morrison and this programme goes into detail of how the album came about, its recording and what was happening to the band at the time. The story is told through new interviews with the three surviving Doors: Ray Manzarek, Robbie Krieger and John Densmore plus contributions from Jac Holzman, founder of their label Elektra Records, Bill Siddons, who was their manager, Bruce Botnick, engineer and co-producer of the album and others associated with the Doors at this time. The show includes archive footage of the Doors performing both live and in the studio, classic photographs and new musical demonstrations from the Doors.

Argentina continues Saura’s lyrical exploration of the essence, talent and patrimony of popular dance and song in both fiction and documentary

Fueled by stunning footage, this stirring documentary considers wild horses’ role in the American psyche and their dwindling numbers in today’s West. In an artful blend of exquisite nature documentary and character-driven narrative, the majestic wild horses of the American West are revealed in stereoscopic 3D as never before. The wonder in a girl’s eye pulls us into the drama that unfolds on hundreds of millions of acres of public land. The battle lines have long been carved into the landscape, and the players are deeply entrenched. Yet as the subtle choreography that has evolved over thousands of years begins, we are captivated. The intricate dance between a man and a wild horse presents lessons for us all, even the battle-hardened special interest groups fighting for the place of the AMERICAN MUSTANG.

From his thoughts on aggressively scented trash bags to desk jobs in hell, comedian Demetri Martin delivers a one-of-a-kind stand-up special.

Jason Osder makes an impressive feature film debut through his unbiased and thorough account of the incidents leading up to and during the 1985 standoff between the extremist African-American organization MOVE and Philadelphia authorities. The dramatic clash claimed eleven lives and literally and figuratively devastated an entire community. Let the Fire Burn is a real-life Wild West story absent the luxury of identifying its heroes by the color of their hats.

Northern Ireland’s legendary star remains one of the most naturally gifted footballers there has ever been.

“The Life and Death of Owen Hart” chronicles the short but eventful life of pro-wrestling superstar Bret “Hitman” Hart’s brother Owen Hart, May 7, 1965 – May 23, 1999.

OUR GODFATHER is a feature-length documentary about Tommaso Buscetta, the first high-ranking Italian mafia boss ever to turn against Cosa Nostra. Buscetta helped convict more than 400 Mafiosi. He became the Mob’s most wanted man in the world – and 11 members of his family were killed. “He was the most important, protected and endangered witness in US criminal history” The film tells – for the first time- the Buscetta story with exclusive access to his family, which is breaking its silence after 30 years in hiding.

Widely recognized as the planet’s worst film director, Uwe Boll embarks on a quest to conquer Hollywood and take vengeance upon the film fanatics striving to destroy him. Filmed over three years on and off the set, ‘Raging Boll’ is a walk in the shoes of a man people love to hate.

Photographer Estevan Oriol and artist Mister Cartoon turned their Chicano roots into gritty art, impacting street culture, hip hop and beyond.

Part film, part baptism, in BLACK MOTHER director Khalik Allah brings us on a spiritual journey through Jamaica. Soaking up its bustling metropolises and tranquil countryside, Allah introduces us to a succession of vividly rendered souls who call this island home. Their candid testimonies create a polyphonic symphony, set against a visual prayer of indelible portraiture. Thoroughly immersed between the sacred and profane, BLACK MOTHER channels rebellion and reverence into a deeply personal ode informed by Jamaica’s turbulent history but existing in the urgent present.

They were the bad boys of hockey — a team bought by a man with mob ties, run by his 17-year-old son, and with a rep for being as violent as they were good.