Cecile is a decadent young girl who lives with her rich playboy father, Raymond. When Anne, Raymond’s old love interest, comes to Raymond’s villa, Cecile is afraid for her way of life.

When a volunteer firefighter drives his car into almost certain death during the worst fires in Australian history, he does it because he ‘has a job to do’. Three months later, the fires are out but his nightmares are just beginning. What’s tormenting him, however, isn’t the memory of flames. Turning a sensitive lens on the unprecedented devastation of Australia’s Black Summer bushfires, from a country-wide emergency to the astonishing stories of help that emerged.

Bill is an ailing larger-than-life father being taken care of by his son Sam, who has returned home to care for him. While home, Sam falls for a local woman, Kate. At the same time, Bill starts to fall for her mom, Tina.

Beksiński is a gentle man with arachnophobia, despite his hardcore sexual fantasies and his fondness for painting disturbing dystopian works. Beksiński is a family man who wants only the best for his loving wife Zofia, neurotic son Tomasz and the couple’s aging mothers. His daily painting to classical music eventually pays off and he makes a name for himself in contemporary art. Good Catholic woman Zofia tries to hold the family together, but troubled son Tomasz proves to be a handful with his violent outbursts and suicidal threats. Their relief is brief when he starts dating women and becomes a radio presenter and movie translator, and the concerned parents must be on constant watch to prevent their son from hurting himself. But Beksiński never believed that family life would always be sunshine and rainbows. As he tapes everything with his beloved camcorder, the 28-year Beksiński saga unfolds through paintings, near-death experiences, dance music trends and funerals…

A microcosm of the fathomless suffering that remains more than 16 years since the siege of Sarajevo ended, writer-director Aida Begic’s follow-up to her 2008 Cannes Critics’ Week Grand Prize-winning debut Snow tells the story of two orphaned siblings struggling in a transitional society where only the fittest survive.

General Candy, who’s overseeing an English squad in 1943, is a veteran leader who doesn’t have the respect of the men he’s training and is considered out-of-touch with what’s needed to win the war. But it wasn’t always this way. Flashing back to his early career in the Boer War and World War I, we see a dashing young officer whose life has been shaped by three different women, and by a lasting friendship with a German soldier.

Rich Donato is the high school janitor at an Oregon high school. He is looked up to by the kids who often seek his advice. There is only one problem. He doesn’t have a high school diploma. The school board tells him that he must get his GED in 30 days or he will lose his job. He tries taking the test on his own, but fails. His wife rallies the community to help Rich pass the test. Now that Rich has help from teachers and students, there is nothing he can’t do.

Matt, a well known writer and director, suffers a traumatic experience, that leads to him being deathly afraid to go outside. Therefore he decides to attempt to write, direct, and star in a feature film, all from his apartment.

A lady stripper and a gigolo promised each other that their work can’t break them apart. But when lust and temptation come into the picture, they begin to question their vow.

After being sent to Nigeria against his will, a stubborn Nigerian-American teenager, joins forces with an internet scammer, in order to return to the United States.

A few hours in Paris, one summer evening in 2020. The camera follows one passer-by then the other, traveling through the streets of the city and multiplying curious encounters: eccentric young people, original characters and nonconformists. During a single uninterrupted shot, the camera links the characters together through the same city, and the same time in crisis that each one goes through and questions in their own way.

Daisy Kenyon (Crawford) is a Manhattan commercial artist having an affair with an arrogant and overbearing but successful lawyer named Dan O’Mara (Andrews). O’Mara is married and has children. Daisy meets a single man, a war veteran named Peter Lapham (Fonda), and after a brief and hesitant courtship decides to marry him, although she is still in love with Dan.