Depicts perfectly to the concept of unconditional love, mutual respect and patriotism towards beloved country through a Malaysian flag eraser. The journey of how a ruined family survives the broken pieces from the love of a family of different cultural beliefs. As love witnesses no gender, race and religion but respect and humanity actions between individuals.
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A story of a fragmented friendship finding new ground, director Daniel Stine’s feature film debut Virginia Minnesota begins with a young woman at a crossroads. Her direction in life a question mark, Lyle (Rachel Hendrix) heads off on an impromptu road trip, running into a former friend, Addison (Aurora Perrinau). Addison is also adrift, and the two find themselves on the road together. Separated by a childhood trauma, Addison and Lyle must face their shared history in order to move on as adults. Through the trip they learn not only the influence of their lost friendship on their current lives, but how their new bond will shape their future as young adults.
During a long, hot summer in seventies London, young neighbors Holly and Marina make a childhood pact to be friends forever. For Marina, troubled, fiercely independent, determined to try everything, Holly stays the only constant in a life of divorcing parents, experimental drugs and fashionable self-destruction. But for Holly, a friendship that has never been equal gradually starts to feel like a trap.
Mia (Ruth Vega Fernandez) and Frida (Liv Mjönes), both in their thirties, meet each other for the first time at their parents’ engagement party. Mia’s father, Lasse (Krister Henriksson), is about to get married to Frida’s mother, Elizabeth (Lena Endre), which will make Mia and Frida stepsisters. Lasse’s daughter, Mia, has not visited her father in years and arrives with her boyfriend, Tim (Joakim Nätterqvist), with whom she is about to get married. As Mia and Frida get to know one another, strong emotions begin to stir between them. Their relationship will turn everything upside down for everyone close to them with dramatic consequences.
A music journalist accompanies her father, a charmingly stubborn Holocaust survivor, on a journey to his homeland. While she’s eager to make sense of her family’s past, her dad has an agenda of his own.
1930s in New York – The famous singer Fanny Brice has divorced her first husband Nicky Arnstein. During the depression she has trouble finding work as an artist but meets Billy Rose, a newcomer who writes lyrics and owns his own nightclub.
Billy Bigelow has been dead for 15 years. Now outside the pearly gates, he long ago waived his right to go back to Earth for a day. He has heard that there is a problem with his family: namely with his wife Julie Bigelow, née Jordan, and his child he hasn’t met. He would now like to head back to Earth to assist in rectifying the problem; but before he may go, he has to get permission from the gatekeeper by telling him his story. Adapted from the Rodgers and Hammerstein hit Broadway musical.
Diego, a Venezuelan urbanist, and Elena, a contemporary dancer from Barcelona, move to the United States with their approved visas to start a new life. Their intention is to boost their professional careers and start a family in ‘the land of opportunities’. But upon entering New York airport’s immigration area, they are taken to the secondary inspection room, where border officers will subject them to an unpleasant inspection process and a psychologically grueling interrogation.
Based on the fact-based novel by Nazi-hunter Simon Wiesenthal based on his 1962 prosecution of the head of a Polish factory whom he learns was a murderous labor camp commandant. To be able to take him to justice, he must find witnesses who can help him. This leads him to Max Rosenberg, a still tormented individual who lost his wife, Helen, in the camps. Initially Max refuses to cooperate, but gradually his story unfolds beginning before the Holocaust.
In 1961, a 60 year old taxi driver stole Goya’s portrait of the Duke of Wellington from the National Gallery in London. It was the first (and remains the only) theft in the Gallery’s history. What happened next became the stuff of legend.