Enea chases after the myth he bears in his name; he does so to feel alive in a dead and decadent age. He does so together with Valentino, a newly baptized aviator. The two, in addition to dealing and partying, share youth. Lifelong friends, victims and perpetrators of a corrupt world, but moved by an incorruptible vitality. Beyond the boundaries of rules, on the other side of morality, there is a sea full of humanity and symbols to be discovered. Enea and Valentino will fly over it to the furthest extremes. However, drugs and the underworld are the invisible shadow of a story about something else: a melancholy father, a brother fighting at school, a mother defeated by love and a beautiful girl, a happy ending and a happy death, a palm tree falling on a glass world.
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Paul, an American composer, and Daniel, a Mexican documentalist meet in Real de Catorce. Their encounter makes them face supernatural phenomena which seem to unearth a past buried in the desolation of the desert.
Synopsis: Jaxon is a fast-rising star in the tough world of professional boxing whose “street cred” and perceived worthiness to challenge his upcoming opponent – the current champion – are under fire due to his middle class upbringing and advanced education. As he trains for the title fight, the trash-talking, steroid-taking champ Spencer “Timber” Collier played by Allen Maldonado (“Straight Outta Compton,” “Black-ish”) does everything he can to take Jaxon off his game. The stakes are high and family drama, thirsty groupies, and a manager with a serious gambling problem are all vying for Jaxon’s attention, making it difficult for him to stay focused on the task at hand – winning the belt. In the midst of being pushed to the limit both physically and mentally, Jaxon meets a beautiful photographer Endira (Raney Branch; “The Originals,” “Grey’s Anatomy”) who captures his heart while hiding a devastating secret.
Convicted killers David Sweat and Richard Matt seduce bored, restless, small town mom Joyce Mitchell who aids and abets their audacious jailbreak.
To the Beat follows 14-year-old twins Mia and Mackie Castillo – dancers since they were toddlers. Beginning at just three years old, that’s been their one true passion. They support each other through competitions and rehearsals, even though they dance different styles. Mia loves tap and Mackie loves jazz. When their favorite pop star launches an online contest to find the most unique dance group for his next music video, the twins each form their own team to compete for the chance to dance in the video – enlisting their friends and family to help gain online votes. Meanwhile, their arch rival and neighbor, Avery, the best dancer of all (who knows it too) uses her charm and resources to get the upper hand in the competition.
A dark, hip, urban story of a barren and anonymous city where the underclass’ sport of choice is ram-raiding. An exciting game in which stolen cars are driven through shop windows to aid large-scale looting before the police arrive. For Tommy, it’s a business, but for Billy and Jo, it’s a labour of love. As the competition between Tommy and Billy grows more fierce, the stakes become higher and the “shopping” trips increasingly risky.
A drama based on the true story in which a black Vietnam-era veteran is allegedly murdered by a local white businessman who is later exonerated. The plot focuses on the role of a local high school teacher and the civil unrest that followed the acquittal.
Donya, a lonely Afghan refugee and former translator, spends her twenties drifting through a meager existence in Fremont, California. Shuttling between her job writing fortunes for a fortune cookie factory and sessions with her eccentric therapist, Donya suffers from insomnia and survivor’s guilt over those still left behind in Kabul as she desperately searches for love.
Caught between the impetuousness of youth and the responsibilities of adulthood, five angsty teens face an uncertain future.
A look at the mysterious relationship between Victorian art critic John Ruskin and his teenage bride Effie Gray.
