An unscrupulous debt collector who is a prominent member of the Moscow elite has just a few hours to refute an accusation that might cost him his job and his life.

A doctor hunts a vicious, man-eating tiger that terrorizes a native jungle village. In time the doctor experiences a personal change when he accepts their native customs and beliefs.

After a third tour of duty in Afghanistan, a Marine sergeant returns home to find herself hemorrhaging anxiety and paranoia from unseen wounds.

Veras Mantle is about a successful author who suffers from agoraphobia and can’t leave her house. When she is threatened by a sinister fan, Vera comes gradually behind the secret of her illness.

Avery (Jones) returns to college as a competitive swimmer after getting his life back on track. But his life takes another unexpected turn when he and his two friends (Bonds, Casseus) are wrongly accused of murder and end up in prison.

A team of Arctic researchers find a 40,000 year-old man frozen in ice and bring him back to life. Anthropologist Dr. Stanley Shephard wants to befriend the Iceman and learn about the man’s past while Dr. Diane Brady and her surgical team want to discover the secret that will allow man to live in a frozen state.

“Tomorrow’s Promise is a film about vacantness. Which physically does ‘begin’, reversed, upside down on the screen […] suddenly another such position is taken (not in reverse), this time by a male figure and soon, in this same section, the girl of the reversed image reappears posed in a different way; a way obsessed by ‘mood’. Then a technical play of in-the-camera-editing occurs, more intense, brighter than in the first, reversed section. There are several inter-cuts which serve, in this and each subsequent section unto the end, as relative links into the final section: which is actually the ‘story’. The story the protagonist and her hero try to tell in their way is apophysis; except that ‘pictures’, clear visions take the place of words. My film could have been edited with precise tensions and a lucid straight narrative, but it was my aim to ‘re-create’ the protagonist of my personal life.” – Edward Owens

Karl, a sixth year student preparing to sit his Leaving Cert exams, becomes the target of a gang of bullies. With no support from his family and no friends to turn to, Karl falls victim to the psychological manipulation of a school teacher and soon turns to social media as a form of escapism where he develops an online friendship with a woman.

A young man returns to his home city of Pittsburgh and moves in with an older woman who he begins to rely on for emotional and financial support.

The popular Caucasian-looking son (Richard Barthelmess) of a wealthy Chinese businessman lives away from his widowed father and passes as white, but experiences prejudice, rejection, insult, and heartache when the socialite (Constance Bennett) he loves learns of his heritage.

On the brink of the Second World War, a young Norwegian man’s drive to resist the Nazis sets a new course for his future – and the future of his country.

Set in 1398. Kim Min-Jae (Shin Ha-Kyun) is the supreme commander of the Joseon Dynasty. He falls in love for the first time and for that woman he takes risks. Yi Bang-Won (Jang Hyuk) is the King’s son. He helped his father setup the Joseon Dynasty era, but he was not picked as the Crown Prince. He still holds ambitions of becoming the King one day.
Jin (Kang Ha-Neul) is Kim Min-Jae’s son and the King’s son-in-law. Due to his position as the King’s son-in-law, he is unable to take part in politics and only seeks out pleasure.