The story opens in Balochistan, in a small, scarcely ‘wired’ village bordering Iran and Afghanistan. Ahmad is an idealistic teacher in exile, educating the local community; his partner Niloofar, however, has spent time in jail in Tehran for the very same offence against the State. The disaccord between them is not only social but also personal. Ahmad’s destiny collides with that of a family fleeing the Taliban; soon the intricate divisions of age and gender within that group will trigger other problems and entanglements – including a ‘lovers on the run’ intrigue that fleetingly recalls Murnau’s classic Tabu (1931).
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With a price on his head, Ichi seeks tranquillity in a favorite village. Since his last visit, it has fallen prey to Boss Masagoro, the son of a merchant rumored to have stolen gold from the shogunate. The boss has hired Yojimbo as his hard-drinking enforcer, but Yojimbo is both a spy for the shogunate, trying to find the gold, and in love with the merchant’s unwilling mistress, Umeno. Ichi hires on as the merchant’s masseur and buys Umeno’s freedom with his employer’s own money. This embarrasses Yojimbo who withdraws from a pact with Ichi to stir up trouble between father and son and their gangs. As the two sides fight, Ichi finds the gold and sets up a final set of confrontations.
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A man with a mysterious past flees the country to escape his own personal hell… only to arrive somewhere much worse. In an effort to survive this new horror, he turns to his personified conscience.
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