All the Time in the World is a though provoking and personal documentary that offers a sociological commentary on what today’s life has evolved into for most of us and what happens when a courageous family chooses a seemingly simpler life.

Plugged In explores how social media and smart phone usage has an effect on our younger generations, those who are now born into a world technologically ready and know nothing else – and how hard it is to remove this element from their lives in these modern times. It looks into the design of social media being a purposeful tool used to keep people hooked in, taken away from face to face reactions and how the attitudes towards people through these mediums have become darker.

Successful architect ignored by the status quo, indefatigable polemist, old-school bon vivant and holy heretic in the Castro Cuba. Many lives fit in Rodolfo Livingston’s, as this portrait of who seems to have been there, has always been ready for the camera.

Follow actress Kate Lyn Sheil as she prepares for her next role: playing Christine Chubbuck, a Florida newscaster who committed suicide live on-air in 1974. As Kate investigates Chubbuck’s story, uncovering new clues and information, she becomes increasingly obsessed with her subject.

Burna Boy performs his hits in London.

A portrait of controversial Breitbart honcho and Donald Trump advisor, Stephen K. Bannon.

Recalls the day when Holocaust survivors took their first steps into freedom, unaware of their future. Every Face Has a Name puts a name on those nameless faces and lets them recount their feelings of that day, the 28th of April, 1945.

Chronicling the life and career of Russell Westbrook, one of the greatest point guards of all time. Despite his success, he enters the 2021-22 season on his fourth team in three years where he looks to cement his legacy on his own terms.

The story of artist Edith Lake Wilkinson, a painter who was committed to an asylum in 1924 and never heard from again. All her worldly possessions were packed into trunks and shipped to a relative in West Virginia where they sat in an attic for 40 years. Edith’s great-niece, Emmy Award winning writer and director Jane Anderson, grew up surrounded by Edith’s paintings, thanks to her mother who had gone poking through that dusty attic and rescued Edith’s work. The film follows Jane in her decades-long journey to find the answers to the mystery of Edith’s buried life, return the work to Provincetown and have Edith’s contributions recognized by the larger art world.

Of all the great ballerinas, Tanaquil Le Clercq may have been the most transcendent. With a body unlike any before hers, she mesmerized viewers and choreographers alike. With her elongated, race-horse physique, she became the new prototype for the great George Balanchine. Because of her extraordinary movement and unique personality on stage, she became a muse to two of the greatest choreographers in dance, George Balanchine and Jerome Robbins. She eventually married Balanchine, and Robbins created his famous version of Afternoon of a Faun for her. She had love, fame, adoration, and was the foremost dancer of her day until it suddenly all stopped. At the age of 27, she was struck down by polio and paralyzed. She never danced again. The ballet world has been haunted by her story ever since.

White Diamond: A Personal Portrait of Kylie Minogue is a 2007 documentary film directed and produced by William Baker and chronicling the life of Australian singer Kylie Minogue during her Showgirl: The Greatest Hits Tour in 2005. White Diamond was filmed between August 2006 and March 2007 in both Australia and the United Kingdom and follows Australian pop singer-songwriter Kylie Minogue on concert tour before and during her resurrected Showgirl: The Homecoming Tour, originally abandoned halfway through its original 2005 run, in Sydney, when Minogue was diagnosed with breast cancer. Intended as a document of Minogue’s return to the stage following her treatment and recovery from cancer, the film also features on-stage and back-stage footage and interviews with a number of Minogue’s tour crew, including Baker himself.

An immersive film essay on tennis legend John McEnroe at the height of his career as the world champion, documenting his strive for perfection, frustrations, and the hardest loss of his career at the 1984 Roland-Garros French Open.