Herzog and cinematographer Peter Zeitlinger go to Antarctica to meet people who live and work there, and to capture footage of the continent’s unique locations. Herzog’s voiceover narration explains that his film will not be a typical Antarctica film about “fluffy penguins”, but will explore the dreams of the people and the landscape.
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A personal exploration into the life of America’s controversial former CIA Director told through the eyes of his wife and filmmaker son, Carl. Through extraordinary events in twentieth century history, this consummate soldier/spy stood at the center of the Agency’s most clandestine activities and operations. The film reveals the ‘cover life’ of this CIA operative, who followed orders and took on the dirtiest assignments until the Nixon Administration ordered him to ‘stonewall’ Congress about the CIA’s past abuses, but he refused. This film reveals why, for the first time, he could not obey.
Bad Seed is the tale of a tiny little seed that some see as good and others believe is evil. Cannabis and hemp can drastically improve the quality of life of people suffering from a wide range of symptoms and illnesses yet people are denied relief due to marijuana’s bad reputation. Is cannabis a bad seed? Or have it’s extraordinary health benefits been unjustly suppressed by government, law enforcement and corporate manipulation? Following the story of a medical marijuana user and activist, filmmaker Shayne Metcalfe delves into the history of cannabis prohibition in Canada, the United States and Mexico over the past century. Incorporating the perspectives of law enforcement, doctors, lawyers, activists, commercial growers, medical patients, historians and entrepreneurs, Bad Seed tells the fascinating story of how one of nature’s gifts came to be vilified and provides an intriguing look at the rapidly changing marijuana landscape.
Recording the journey of Raisa, a great Indonesian singer from childhood to her greatest achievements, holding a big concert at Gelora Bung Karno.
A portrait of a punk band and their role in the vibrant and eclectic underground music scene from which they were born. The idiosyncratic personalities of these three musicians demonstrates that, like all great artistic or political collectives, individuals with conflicting and confounding ideologies can be drawn together around a common cause. Championing the music, community, and politics of their beloved city of Memphis, TN, Negro Terror are far more than just another hardcore punk band with a provocative name.
They Ain’t Ready For Me is the story of Tamar Manasseh, the black rabbinical student who leads the fight against gun violence on the south side of Chicago. Tamar’s identity and personality combine to make her a force to be reckoned with.
Louis Theroux travels to California to meet the man dubbed “the most dangerous racist in America”; Tom Metzger. Louis meets him, his family and his publicity manager as well as following him to skinhead rallies and on a visit to Mexico.
The filmed account of a large Canadian rock festival train tour.
A profile of Hip-Hop producer 9th Wonder as he accepts a position as a Harvard Fellow.
An imaginary return of dictator Ceausescu after 20 years of capitalism in his country, Romania, where he finds a new society but also old habits in the country’s businessmen.
During the 60andapos;s – for two years, Australias security service, ASIO, secretly filmed meetings between a KGB officer, and his British-born agent. Unknown to the officer, a double agent – code name Sylvia. 60 years on, new evidence o…
The vinyl record renaissance over the past decade has brought new fans to a classic format and transformed our idea of a record collector: younger, both male and female, multicultural. This same revival has made buying music more expensive, benefited established bands over independent artists and muddled the question of whether vinyl actually sounds better than other formats. Vinyl Nation digs into the crates of the record resurgence in search of truths set in deep wax: Has the return of vinyl made music fandom more inclusive or divided? What does vinyl say about our past here in the present? How has the second life of vinyl changed how we hear music and how we listen to each other?