The duty manager of a seaside cinema, who is struggling with her mental health, forms a relationship with a new employee on the south coast of England in the 1980s.
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In 1879, the British suffer a great loss at the Battle of Isandlwana due to incompetent leadership. Cy Endfield co-wrote the epic prequel Zulu Dawn 15 years after his enormously popular Zulu. Set in 1879, this film depicts the catastrophic Battle of Isandhlwana, which remains the worst defeat of the British army by natives, with the British contingent outnumbered 16-to-1 by the Zulu tribesmen. The film’s opinion of events is made immediately clear in its title sequence: ebullient African village life presided over by King Cetshwayo is contrasted with aristocratic artifice under the arrogant eye of General Lord Chelmsford (Peter O’Toole). Chelmsford is at the heart of all that goes wrong, initiating the catastrophic battle with an ultimatum made seemingly for the sake of giving his troops something to do. His detached  manner leads to one mistake after another.
A group of young professionals decides to play a practical joke on one of their ex-girlfriends who married a rich man who is about to close a major real estate deal. They plan to kidnap her and mess up the deal. Unfortunately, the joke becomes deadly serious.
After being discharged from the Army, Brian Flanagan moves back to Queens and takes a job in a bar run by Doug Coughlin, who teaches Brian the fine art of bar-tending. Brian quickly becomes a patron favorite with his flashy drink-mixing style. Brian adopts his mentor’s cynical philosophy on life and goes for the money. He leaves his artist girlfriend Jordan Mooney for Bonnie, a wealthy, high-powered executive. Brian soon must chose between the two, as he evaluates his options.
A scientist working on an energy project discovers his family have undergone strange changes in their personalities, while a series of natural disasters are happening across the globe. He realises that his work has accidentally pushed the planet forward in time seven seconds – and the loss of those few moments has had devastating effects on the world and the human race.
Grace Metalious’ once-notorious bestseller Peyton Place is given a lavish — and necessarily toned-down — film treatment in this deluxe 20th Century-Fox production. Set during WWII, the film concentrates on several denizens of the outwardly respectable New England community of Peyton Place. Top-billed Lana Turner plays shopkeeper Constance McKenzie, who tries to make up for a past indiscretion — which resulted in her illegitimate daughter Allison (Diane Varsi) — by adopting a chaste, prudish attitude towards all things sexual. In spite of herself, Constance can’t help but be attracted to handsome new teacher Michael Rossi (Lee Philips). Meanwhile, the restless Allison, who’d like to be as footloose and fancy-free as the town’s “fast girl” Betty Anderson (Terry Moore), falls sincerely in love with mixed-up mama’s boy Norman Page (Russ Tamblyn).
Professor Genessier is guilt-stricken after his daughter’s face is disfigured in a car accident. He intends to rebuild his daughter’s face via grafting skin tissue; he only needs a supply of donors to experiment on.
A creative and talented young man (Wilbur Hunter -played by James Maslow) is torn between his passion for painting and his promise to his father to oneday take over the family business. With his family, his friends, and a newfound love, Wilbur must decide whether to follow his heart or do what’s expected of him.
The story of a mentally unstable loner lost in a life forced upon him. By night Oliver aimlessly wanders the streets and bars on what can only be described as a truly shocking and humiliating killing spree. His only savior and possible way out of a life he is desperate to escape comes in the form of the beautiful Sophia with her sweet eccentricity and naivety to the danger she has put herself in.
