It is the story, the process of becoming more and simultaneously less than human through technology as it follows a few characters through this transformation of becoming.

Dar, is the son of a king, who is hunted by a priest after his birth and grows up in another family. When he becomes a grown man his new father is murdered by savages and he discovers that he has the ability to communicate with the animals, which leads him on his quest for revenge against his father’s killers.

Alison, a teen, is facing pregnancy. With nowhere to turn, she finds herself in a “clinic” about to end her baby’s life. Suddenly a man appears. His mop tells her he’s the janitor. Conversation begins and it quickly becomes clear that this man is no mere janitor, but Jesus manifest. And he’s come to save the life of her baby.

Bold, eccentric Broadway performer Elizabeth Madden befuddles her handlers by coming home with a baby she picked up on the street. She wants to keep the baby but has to find a husband to make adoption viable. She offers her new obstetrician Dr. McBain help with his research on rabbits in exchange for marriage – and he accepts. The marriage of convenience turns into a marriage of real love until Dr. McBain’s ex-wife comes looking for money.

Splendor is the name of an old movie theater managed by Jordan (Mastroianni), who inherited it from his father. The theater is in decay and only generates debts and trouble, but Jordan gets aid in his almost quixotian quest from projectionist Luigi (Troisi) and ushurette Chantale (Vlady). However, Jordan is finally forced to sell the Splendor to businessman Lo Fazio (Piperno), which plans to transform it in some kind of furniture store. When Jordan leaves the theater for the last time (the very first scene), he recalls the glorious days of Splendor and movies in general.

Ella, at almost forty, is forced to move back in with her father Alan. She’s trying to stay sober having temporarily given up custody of her young daughters to her ex-husband Joseph and his new partner Bethan.

Arima Kousei won numerous piano competitions while under the strict watch of his mother. He was known as the human metronome during that time. Since the death of his mother, Kousei has been unable to hear the sound of his piano. He then meets Miyazono Kaori through childhood friend Sawabe Tsubaki. Kaori plays the violin and has a free sprit. Since meeting her, Kousei is able to face the piano again. Meanwhile, Kaori holds a secret.

A young, gifted soccer player who gets into trouble for a petty crime is brought to the attention of former Manchester United coach Matt Busby, who comes out of retirement to help the boy and his teammates.

Three former classmates reunite for their 30-year high school reunion.

An artistic couple living in Austin, Texas, wake up one day to discover they are the last two people left on Earth.

Man of Iron was positioned as something of a follow-up to Boxer From Shantung, the rise-and-fall story of Ma Yung Chen and it reunites the directors and some of the cast in a similar but much slighter tale of a lesser gangster’s rise and fall in Shanghai. While the opening narration specifically recalls the events and tragic conclusion of BOXER, this one is set 20 years later in the same section of Shanghai but otherwise has nothing to do with the events or characters of the previous film.

Ninety minutes of deleted and alternate takes from Twin Peaks: Fire Walk With Me, assembled by David Lynch to continue the story of the final week of Laura Palmer’s life.