The Mambo Kings tells the story of César and Nestor Castillo, brothers and aspiring musicians who flee from Cuba to America in search of the American Dream.

Two Puerto Rican brothers, Ralphi Matas and Junior, from New York’s Spanish Harlem and the street’s best Salsa dancers, are separated after a tragedy only to reunite years later on opposing sides of gentrification.

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In the early 1960’s, a quintet of hopeful, young African-American men form an amateur vocal group called The Five Heartbeats. After an initially rocky start, the group improves, turns pro, and rises to become a top flight music sensation. Along the way, however, the guys learn many hard lessons about the reality of the music industry.

In a Gypsy village, the fathers of Candela and José promise their children to each other. Years later, the unfaithful José marries Candela but while defending his lover Lucía in a brawl, he is stabbed to death. Carmelo, who secretly loves Candela since he was a boy, is arrested while helping José and unfairly sent to prison. Four years later he is released and declares his love for Candela. However, the woman is cursed by a bewitched love and every night she goes to the place where José died to dance with his ghost.

As the Palaces Burn is a feature-length documentary that originally sought to follow Lamb of God and their fans throughout the world, to demonstrate how music ties us together when we can’t find any other common bond. However, during the filming process in 2012, the story abruptly took a dramatic turn when lead singer Randy Blythe was arrested on charges of manslaughter and blamed for the death of one of their young fans in the Czech Republic. What followed was a heart-wrenching courtroom drama that left fans, friends, and curious onlookers around the world on the edge of their seats.

The digital revolution of the last decade has unleashed creativity and talent of people in an unprecedented way, unleashing unlimited creative opportunites. But does democratized culture mean better art, film, music and literature or is true talent instead flooded and drowned in the vast digital ocean of mass culture? Is it cultural democracy or mediocrity? This is the question addressed by PressPausePlay, a documentary film containing interviews with some of the world’s most influential creators of the digital era.

The Los Angeles punk music scene circa 1980 is the focus of this film. With Alice Bag Band, Black Flag, Catholic Discipline, Circle Jerks, Fear, Germs, and X.

Naz, a cynical and charismatic 20-something, has spent his entire life in tranquil O’ahu, Hawaiʻi, skateboarding with his friends and hosting a nightly radio show where he spotlights emerging musicians. When his girlfriend Sloane nabs the chance to move to bustling New York, Naz begins preparing for their big move, planning every detail down to his cat’s absurd flight plan. Even when dreaming about what life outside the island might look like, however, Naz wonders whether uprooting his world is the right decision, and if anywhere will ever really feel like home when he’s always been an eternal outsider.

A documentary chronicling the Beatles’ rehearsal sessions in January 1969 for their proposed “back to basics” album, “Get Back,” later re-envisioned and released as “Let It Be.”

Rob “Fish” Fishman is the drummer in ’80s hair metal band Vesuvius. He’s unceremoniously booted as the group signs a big record deal, is out of the music world for 20 years – and then receives a second chance with his nephew’s band.

James Lavelle played his first DJ set at 14, launched pioneering record label Mo’Wax at 18 and released the genre defining UNKLE album Psyence Fiction at 22. His phenomenally rapid rise seemed limitless, but it’s only when you’re going so fast that the wheels fall off. The Man from Mo’Wax tells the remarkable story of one of the most enigmatic yet influential figures in contemporary British culture. Unearthed from over 700 hours of footage including exclusive personal archive spanning three decades, we get the rare opportunity to watch a boy become a man in the world of music. The result is an exhilarating, no holds-barred ride into the life of an extraordinary man and an equally extraordinary era, taking in some decidedly flawed decision-making (both personal and professional), Lavelle emerges as an innovative artist who thinks big and consistently overcomes adversity.