The inspirational rise of SpaceX as well as Elon Musk’s two-decade effort to resurrect America’s space travel ambitions.

A blue-collar family man breaks the promise he’d made to never fight again. Now forty years old, with a wife and four children who need him, Joe Carman risks everything to go back into the fighting cage and come to terms with his past.

The spirit of the old west lives on in South Central Los Angeles, and filmmaker Marquette Williams captures all of the energy and enthusiasm of an urban subculture that may take some folks by surprise. Urban Cowboy isn’t just a movie starring John Travolta; just outside of Compton, it’s a true reality. Most people associate horse riding and rodeos with country ranches and wide-open plains, but four young cowboys from the inner city are out to shatter preconceptions about what it really means to be a roughrider. Twenty-three year old Lil Ron, eighteen year old Yah-Ya, eighteen year old Mike, and eighteen year old Jazmine are a learning what it takes to win on the rodeo circuit, and Lil Ron has his eyes locked on the Rookie of the Year award. Follow these four young pioneers as they set out to find that perfect balance between inner-city toughness and wild-west determination.

Canyoneering is the sport of descending canyons by means of hiking, climbing, rappelling and swimming. Relatively obscure, the sport was brought to the mainstream in 2003 with the news of Aron Ralston who had severed his own arm while trapped in a canyon. Experiencing an overnight spike in popularity by the late 90s – a result of information appearing on the internet – the sport became inundated with thrill-seekers of all backgrounds and skill levels. Facing a new era of off-the-couch recreationalists, three influential participants, a canyoneering instructor, pioneer, and guidebook author each respond to a growing interest in the incredibly dangerous activity. Gorging employs the story of canyoneering to examine larger questions about the pursuit of thrills and the consequences that follow.

In her early twenties, Hiam Abbass left her native Palestinian village to follow her dream of becoming an actress in Europe, leaving behind her mother, grandmother, and seven sisters. Thirty years later, her filmmaker daughter Lina returns with her to the village and questions for the first time her mother’s bold choices, her chosen exile and the way the women in their family influenced both their lives.

The Clark Little Story is a genre defining action/adventure nature documentary film highlighting a whole new generation of action wave photography. Dive into the life of renowned water photographer, Clark Little, as he takes on the world’s most dangerous shorebreak around the island of Oahu. When he’s not in the water, Clark shares the insider tips and techniques that have taken his photos from his living room wall to inside the Smithsonian. Filmed and edited by surf personality, Peter King, Shorebreak is one hour of non-stop action that will have you inspired and prepared to start capturing your own shorebreak moments.

From award-winning director Mat Whitecross and featuring extensive unseen archive footage, Supersonic charts the meteoric rise of Oasis from the council estates of Manchester to some of the biggest concerts of all time in just three short years. This palpable, raw and moving film shines a light on one of the most genre and generation-defining British bands that has ever existed, and features candid new interviews with Noel and Liam Gallagher, their mother, and members of the band and road crew.

Documentary film takes a look at some of the world’s most influential fashion images as conceived by the magazine’s iconic fashion editors.

The playwright Brian Friel stands among the giants of Irish literature. From the 1980s onwards, he withdrew from media and public life. This film sets out to show, through family, friends, actors, directors, as well as via his own handwritten and typed letters, personal archive, and readings from some of his plays, how Brian Friel re-defined Irish theatre in the second half of the 20th century.

A wall can be a barrier. It can be a structure of limitation or a source of repression. For the Inside Out Project, a wall is a canvas, and so are sides of trains, the arches of bridges and the steps leading to Brooklyn brownstones. This fascinating documentary tracks the evolution of the world’s largest participatory art project, the wildly popular Inside Out. From Haiti to Tunisia, South Dakota to the streets of Paris, French artist JR motivates communities to define their most important causes by pasting giant portraits in the street, testing the limits of what they thought possible. The power of paper turns people who feel without voice into unlikely activists by empowering them with their own images.

Ecumenopolis: City Without Limits” tells the story of Istanbul and other Mega-Cities on a neo-liberal course to destruction. It follows the story of a migrant family from the demolition of their neighborhood to their on-going struggle for housing rights. The film takes a look at the city on a macro level and through the eyes of experts, going from the tops of mushrooming skyscrapers to the depths of the railway tunnel under the Bosphorous strait; from the historic neighborhoods in the south to the forests in the north; from isolated islands of poverty to the villas of the rich. It’s an Istanbul going from 15 million to 30 million. It’s an Istanbul going from 2 million cars to 8 million. It’s the Istanbul of the future that will soon engulf the entire region. It’s an Istanbul nobody has ever seen before.

The second coming of Christ is the most climactic event of all the prophecies in the Bible and preparing for this event is the keynote of the scriptures, but “our God is a consuming fire.” (Heb 12:29) In the presence of God the prophets fell upon their faces exclaiming “the earth is burned at his presence, yea, the world, and all that dwell therein” and “who may abide the day of his coming? and who shall stand when he appeareth?” (Heb. 12:29, Mal 3:2) The prophet Isaiah asked “Who among us shall dwell with the devouring fire? who among us shall dwell with everlasting burnings?” (Isa 33:14) And then Isaiah answers the question and says “he that walketh righteously.” (Isa. 33:15) Only the righteous may stand in the presence of Christ when He comes as a consuming fire and the message of Noah will prepare a people for that event, because Noah was “a preacher of righteousness.” (2 Pe. 2:5)