Love. Grief. Shock. Denial. Sleeplessness. Bubble bath. Mucus. Masturbation. Pigeons. Toothpaste. Hospital. F**k. Bye. Hair. Sports. Chicken. Bootie. Kids. Rejection. Squirrels. Cries. Awkward. Ninety-five scenes. Five minutes. Life’s a bitch.

After two years hiding out in his Grandfather’s retirement residence, Stock Burton is forced back into his small town where he must come to terms with the troubled past that led to his early retirement.

Not Available

A hot tip on the deadly drug Fentanyl that’s burning through the streets of Atlanta, catapults burned-out reporter Brian Sanderson into the dim, dank underbelly of Atlanta. Estranged from his family, and in the midst of his investigation, Brian learns of his son’s murder. As he searches for answers and the son he never knew, questions tear at the fabric of his life, revealing a story of soul-shaking proportions. From the elite power personalities, to the forgotten street people, Brian is led deeper and deeper into a story that will shake the city to its core. Ultimately, Brian makes a decision with eternal consequences as he comes face to face with two men he never knew: himself, and the man who was his child.

Two Jesuit priests travel to seventeenth century Japan which has, under the Tokugawa shogunate, banned Catholicism and almost all foreign contact.

Juan de los Santos, a former undercover cop from Paraguay, once ready to take down the biggest drug cartel in Latin America, has lost everything; his wife and kids brutally murdered on a cold dark night and with them, his will to live. Juan, himself didn’t survive unscathed; on that cold night he took two bullets, one still in his heart, the other one damaging a part of his brain, cursing him sporadic amnesia. In an internal and external struggle with his own demons, Juan must defeat incredible odds to save innocent people. Sleepless, and afflicted by treacherous nightmares of that night, he is willing to take any job to alleviate his suffering.

Iranian director Jafar Panahi, who has been barred from leaving the country, arrives at a village on the Iran-Turkey border to supervise a film based on a real-life couple seeking passports to Europe being shot in Turkey, but both his stay and the production run into trouble.

A misguided monkey believes he is destined for the moon.

With a tale of a caper gone wrong, this black comedy evokes the freewheeling émigré culture of lads short on work and cash and long on heavy boozing in the Irish lairs of Brooklyn and the Bronx. James, who has just burned his last bridge and now lacks both a job and a wife, teams up with friend Eoin on a for-hire mission to the racetrack on behalf of slippery raconteur Timmy Thomas. In a clumsy attempt at sleight of hand by a pair who wouldn’t know a winning hand if they saw one, the boys screw up royally, putting themselves under heavy obligation to a clutch of gangsters. There’s a new angle when a bold lady with a soft spot for the sound of Irish and the hots for greenbacks sets her sights on James.

When megalomaniacal White Goodman, the owner of a trendy, high-end fitness center, makes a move to take over the struggling local gym run by happy-go-lucky Pete La Fleur, there’s only one way for La Fleur to fight back: dodgeball. Aided by a dodgeball guru and Goodman’s attorney, La Fleur and his rag-tag team of underdogs launch a knock-down, drag-out battle in which the winner takes all.

When Flora rescues a squirrel she names Ulysses, she is amazed to discover he possesses unique superhero powers, which take them on an adventure of humorous complications that ultimately change Flora’s life–and her outlook–forever.

It’s not easy being a gangster. The switch is on, in this sequel continuing where “Becoming Vasser” left off. Gordon, a bumbling dealer, has hilariously fallen into the identity of ruthless trafficker, Samuel Vasser. With the world on a silver platter, will he stay the villain or become the hero? Can Vasser’s empire continue with an idiot at the wheel? Part two of a two-film duology.