In 2001 Jack Cardiff (1914-2009) became the first director of photography in the history of the Academy Awards to win an Honorary Oscar. But the first time he clasped the famous statuette in his hand was a half-century earlier when his Technicolor camerawork was awarded for Powell and Pressburger’s Black Narcissus. Beyond John Huston’s The African Queen and King Vidor’s War and Peace, the films of the British-Hungarian creative duo (The Red Shoes and A Matter of Life and Death too) guaranteed immortality for the renowned cameraman whose career spanned seventy years.

The posse meet three cat clerics who worship Lister as their God. Lister vows to help them as they’re being hunted by Rodon, the ruthless feral cat leader who has vowed to wipe out all cats who worship anyone but him.

A comedy about a woman who tries to overcome tone-deafness and a man who tries to help her but joins the romance.

What do a farmer in Kansas, a laid-off factory worker in Ohio, and an Uber driver in Florida have in common? All three are resourceful, positive thinkers who strive to adapt and thrive despite dehumanizing forces at play in the American economy. As the film’s heroes face these roadblocks with courage, certain ideals remain sacred: family, love, and staying strong in the face of adversity. Lush cinematography galvanizes a sense of place and, as the narrative unfolds, the intimacy with the characters results in an emotionally rich observational drama. Ultimately, “The Disrupted” reveals a collective American experience of financial challenge, family resilience, and the quest for the purpose and dignity of work.

Gary Faulkner is an ex-con, unemployed handyman, and modern day Don Quixote who receives a vision from God telling him to capture Osama Bin Laden. Armed with only a single sword purchased from a home-shopping network, Gary travels to Pakistan to complete his mission. While on his quest, Gary encounters old friends back home in Colorado, the new friends he makes in Pakistan, the enemies he makes at the CIA – and even God and Osama themselves.

Seventy-five percent of the American people still refuse to believe the official story of President John F. Kennedy’s death. They do not think he was killed by a lone gunman but by a mysterious cabal that somehow conspired to have him killed. How can this be? How can a crime this famous, witnessed and investigated by so many, remain a mystery? This is what veteran Australian police detective Colin McLaren is determined to find out. JFK: The Smoking Gun follows the forensic cold-case investigation McLaren conducted over four painstaking years, taking us back to that tragic day in Dallas at Dealey Plaza where the shooting took place, to Parkland Hospital where the president was pronounced dead, to the Bethesda Naval Hospital where the autopsy was conducted and to the conclusions of the Warren Commission that have remained controversial to this day.

As we emerge from a global pandemic that has turned our world upside down, David Olusoga explores the hidden history of the nurses, doctors and health workers who, for more than 70 years, have been coming to Britain from overseas to serve in the NHS. Without them the NHS would have been in danger of collapse – not least during the current COVID crisis – but from the very start the story of this beloved British institution has been intertwined with one of the most divisive social and political issue of the age, immigration. The people who came to this country to work in the NHS have found themselves fighting battles they neither sought nor expected.

Scooby-Doo and the gang participate in a toy store’s holiday parade where they discover the abandoned haunted clock tower with a troubled past. A sinister snowman haunts the streets and accompanied with a large blizzard, threatens to close down the toy store for good.

Her rise was a global phenomenon. Her downfall was a cruel national sport. People close to Britney Spears and lawyers tied to her conservatorship now reassess her career as she battles her father in court over who should control her life.

What happens when a screenwriter (Brooks) loses his edge, he turns to anyone he can for help… even if it’s the mythical “Zeus’s Daughter” (Stone). And he’s willing to pay, albeit reluctantly, whatever price it takes to satisfy this goddess, especially when her advice gets him going again on a sure-fire script. However, this is not the limit of her help, she also gets the writer’s wife (MacDowell) going on her own bakery enterprise, much to the chagrin of Brooks, who has already had to make many personal sacrifices for his own help.

Venkatasamy (Raj Kiran), a helpful villager, comes to the city to spend time with his grandson Tamizh (Vimal), an IT professional whose dream is to settle in the US. Venkatasamy’s straight talk and rural practices initially earn him the enmity of Tamizh’s neighbors and girlfriend, Karthika (Lakshmi Menon). Eventually, things begin to change and he begins to win hearts. But by the time the city folks realize his value, tragedy strikes…

Poor Raja opens a fast foot restaurant right opposite a five star hotel run by its owner Singhania, earning his wrath. The wealthy hotel owner uses all his influence to remove Raja, but in vain. Things get worse for the wealthy man, when his daughter Kiran wants to marry the poor hotelier. The wealthy man refuses, leading to a confrontation and a condition – which Raja fulfills, he becomes rich virtually overnight, and proposes for the hand of Kiran. The wealthy hotelier reluctantly accepts him as his son-in-law, only to have Kiran elope with a man named Rahul.