An immersive and enthralling journey through the Sonoran Desert on the U.S.-Mexico border, El Mar La Mar weaves together harrowing oral histories from the area with hand-processed 16mm images of flora, fauna and items left behind by travelers. Subjects speak of intense, mythic experiences in the desert: A man tells of a fifteen-foot-tall monster said to haunt the region, while a border patrolman spins a similarly bizarre tale of man versus beast. A sonically rich soundtrack adds to the eerie atmosphere as the call of birds and other nocturnal noises invisibly populate the austere landscape. Emerging from the ethos of Harvard’s Sensory Ethnography Lab, J.P. Sniadecki’s attentive documentary approach mixes perfectly with Joshua Bonnetta’s meditations on the materiality of film. Together, they’ve created an experience of the border region like nothing you’ve seen, heard or felt before.
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A portrait of musician and artist Peter Doherty as he tries to pursue his musical career while battling his addiction. Torn between the needs of his inner life and the demands of the outside world, Doherty dares to face all the demons to overcome this misunderstood disease.
The rubber met the road in the early 1970s for Bill Costen. After being drafted by the Buffalo Bills, tragedy forces him out of his dream. Saying goodbye to a career on the turf, Bill takes to the air, becoming the first African American Hot-Air Balloon Master Pilot in the world.
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