Miss You Can Do It chronicles Abbey Curran, Miss Iowa USA 2008 and the first woman with a disability to compete at the Miss USA Pageant, and eight girls with various physical and intellectual disabilities as the girls participate in the Miss You Can Do It Pageant. Abbey founded the annual Miss You Can Do It Pageant in 2004 and girls and their families travel from all around the country to participate in this one night where their inner beauty and abilities reign.

25 years after Paris is Burning, we dive back into the fierce world of voguing battles in the Kiki scene of New York City, where competition between Houses demands leadership, painstaking practice, and performances on point. A film collaboration between Kiki gatekeeper, Twiggy Pucci Garçon, and Swedish filmmaker Sara Jordenö, we’re granted exclusive access into this high stakes world, where tough competitions act as a gateway into the daily lives of LGBTQ youth of color in NYC. The new generation of ballroom youth use the motto, “Not About us Without Us”. Twiggy and Sara’s insider-outsider approach to their stories breathes fresh life into the representation of a marginalized community who demand visibility and real political power.

The history of New York’s Meatpacking District, told from the perspective of transgender sex workers who lived and worked there. Filmmaker Kristen Lovell, who walked “The Stroll” for a decade, reunites her community to recount the violence, policing, homelessness, and gentrification they overcame to build a movement for transgender rights.

The incredible true story of America’s bloodiest family feud told through a combination of documentary interviews and traditional Western scenes tracking the fallout between the Grahams and Tewksburys which led to a ten year battle and cost up to fifty lives.

In the last five years of his life, David Bowie ended nearly a decade of silence to engage in an extraordinary burst of activity, producing two groundbreaking albums and a musical. David Bowie: The Last Five Years explores this unexpected end to a remarkable career. Made with remarkable access, Francis Whately’s documentary is a revelatory follow-up to his acclaimed 2013 documentary David Bowie: Five Years, which chronicled Bowie’s golden ‘70s and early-‘80s period.

This Internet is under attack. Communications, culture, free speech, innovation, and democracy are all up for grabs. Will the Internet be dominated by a few powerful interests? Or will citizens rise up to protect it?

“Stink!” opens with a foul smell and a pair of kids pajamas. And a single father trying to find out what that smell could possibly be. But instead of getting a straight answer, director Jon Whelan stumbles on an even bigger issue in America, which is that some products on our store shelves are not safe — by design. Entertaining, enlightening, and at times almost absurd, “Stink!” takes you on a madcap journey from the retailer to the laboratory, through corporate boardrooms, down back alleys, and into the halls of Congress. Follow Whelan as he clashes with political and corporate operatives all trying to protect the darkest secrets of the chemical industry. You won’t like what you smell.

Two best friends spent the last fifteen years touring the country in their performance art punk band. When one of them decides to quit, they both face deeper challenges than expected.

Celebrating the joys of an Irish Wedding in all its pleasant predictability – the requisite chats about the weather, the haggle over the beef or salmon, the losing of the rings, the ditching of the heels, the intergenerational whirl around the dancefloor. Alex Fegan (Older than Ireland, The Irish Pub) captures all that is familiar but also conveys the momentousness of the day from the pre-wedding nerves, to the tenderness of the first kiss, from the affectionate humour of the speeches to the melancholy moments as absent friends are remembered. The Irish Wedding presents a pleasingly diverse community of brides and grooms in this warm-hearted and thoroughly entertaining survey of Irish nuptial activity.

A documentary exploring the birth, death and resurrection of illustrated movie poster art. Through interviews with a number of key art personalities from the 70s and 80s, as well as many modern, alternative poster artists, “Twenty-Four by Thirty-Six” aims to answer the question: What happened to the illustrated movie poster? Where did it disappear to, and why? In the mid 2000s, filling the void left behind by Hollywood’s abandonment of illustrated movie posters, independent artists and galleries began selling limited edition, screenprinted posters — a movement that has quickly exploded into a booming industry with prints selling out online in seconds, inspiring Hollywood studios to take notice of illustration in movie posters once more.

Set against the backdrop of a high school football season, Dan Lindsay and T.J. Martin’s documentary UNDEFEATED is an intimate chronicle of three underprivileged student-athletes from inner-city Memphis and the volunteer coach trying to help them beat the odds on and off the field. For players and coaches alike, the season will be not only about winning games — it will be about how they grapple with the unforeseeable events that are part of football and part of life.

Martin Shaw takes a fresh look at one of the most famous war stories of them all. The actor, himself a pilot, takes to the skies to retrace the route of the 1943 raid by 617 Squadron which used bouncing bombs to destroy German dams. He sheds new light on the story as he separates the fact from the myth behind this tale of courage and ingenuity. Using the 1955 movie The Dam Busters as a vehicle to deconstruct the raid, he tries to piece together a picture of perhaps the most daring attack in the history of aviation warfare.