The government is asking Eiffel to design something spectacular for the 1889 Paris World Fair, but Eiffel simply wants to design the subway. Suddenly, everything changes when Eiffel crosses paths with a mysterious woman from his past.
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For generations the Zhao family has wielded power, until their mortal enemy TU’AN GU slaughters the entire clan, determined to wipe out their influence forever. But one Zhao baby survives hidden by CHENG YING the doctor who delivered him. When Tu’an Gu learns of the baby’s escape he seizes every infant in the city, vowing to kill them all unless the Zhao baby is surrendered. As the tyrant’s soldiers arrive at Cheng Ying’s home the frantic doctor hides his wife with their own baby whilst surrendering the Zhao child as his own. But his family is discovered; his baby is presumed to be the Zhao heir and murdered along with his wife for harboring the infant. Now set on revenge Cheng Ying enrolls the Zhao orphan into the service of the Tu’an Gu household, plotting to use him as an instrument of vengeance when he comes of age.
In an alternate version of 1949 Japan in which World War II never happened, the Japanese capital of Teito is home to both an ultra rich upper class and the dirt poor masses. The city is thrown into a state of panic when a phantom thief called “The Kaijin (Fiend) with 20 Faces” (K-20 for short) begins to use his mysterious abilities to steal from the rich and give to the poor. One day a circus acrobat named Heikichi Endo (Takeshi Kaneshiro) is framed for K-20’s crimes and becomes determined to clear his name. He teams up with K-20’s next target, a wealthy duchess named Yoko Hashiba (Takako Matsu) and her detective fiancé (Toru Nakamura), to take K-20 down once and for all.
“To Have and to Hold” centers on Alice who still can’t believe her high school crush, the dashing, wealthy and successful Joe Chambers, would choose to marry her and willingly allows him to mold her into his ideal socialite wife. Despite Alice’s best efforts to be the woman of Joe’s dreams, he can’t help but be unfaithful to her. When Joe’s indiscretions impact his career, Alice’s life is further turned upside down. Alice unexpectedly finds herself falling for her best friend’s boyfriend and begins to wonder if her fairy tale ending could exist after all.
Set in the year 2020, Shiori Genbo (Ayame Gouriki) runs the large corporation Funtom. Shiori is also a descendant of prestigious noble family Phantomhive of England. As a descendant of the noble family Phantomhive, Shiori solves difficult cases which are ordered by the queen. In order to take revenge, Shiori makes a deal with Butler Sebastian (Hiro Mizushima). Their deal involves Butler Sebastian protecting Shiori until her revenge is fulfilled and then Sebastian will consume her spirit.
Gang leader Tony pulls off a major diamond heist with his crew, but cop-turned-criminal Ling knows who has the loot and responds by kidnapping Tony’s daughter and holding her for ransom. Unfortunately, Tony’s lost the diamonds as well. As he frantically searches for his daughter and the jewels, Tony pairs with a high-kicking government agent who once worked with Ling and seeks revenge on him.
Kuki Fumihiro is a son from a wealthy zaibatsu (conglomerate) family. His father raises him to become pure evil. Kuki kills his father to protect his adopted sister Kaori. Afterward, Kuki disappears. He undergoes plastic surgery and takes the identity of Koichi Shintani. He watches Kaori and faces the great evil that exists within the Kuki family
A caribou tracker obsessed with finding a missing caribou herd befriends a teenage rebel who gets lost while on the run.
Cab driver Max picks up a man who offers him $600 to drive him around. But the promise of easy money sours when Max realizes his fare is an assassin.
Nutcracker is a fresh twist on a cautionary tale. Shelly is a 17-year old, African-American girl on the cusp of womanhood. The realities of wanting to be desired, wanting to be validated, and wanting to fit in pull her down to a place of desperation. Her vivid imagination often finds her in awkward situations, but over the course of the story it stretches to the place where she’s willing to put herself in not just a vulnerable, but downright life-threatening situation.
A character study as well as a meditation on communication, creativity, and physical space, Take What You Can Carry is a picture of a young woman seen through the interiors she occupies and the company she keeps. A North American living abroad, Lilly aspires to shape an intimate and private place of her own while connecting to the world around her. When she receives a letter from home, it provides the conduit she needs to fuse her transient self with the person she’s always known herself to be.
When Ann, husband George and son Georgie arrive at their holiday home they are visited by a pair of polite and seemingly pleasant young men. Armed with deceptively sweet smiles and some golf clubs, they proceed to terrorize and torture the tight-knit clan, giving them until the next day to survive.