Will, a 30-year old who is losing control of his life, inherits his father’s cabin and with it a new perspective on his family, childhood and relationships.
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High-powered single-woman Jane Berry is focused on the important things in life, such as advancing her career and spending a bundle on fashionable shoes. But then a car accident on Christmas Eve changes her forever: Jane wakes up after the crash to discover that she is a married stay-at-home mom with two kids and a passion for charity work. Is she dreaming? Crazy? Is this a strange twist of fate?
After a series of tragedies including the death of his father-in-law, Robert and his wife Maia leave their home in London to move back to her childhood home. But when Robert discovers an old portrait in the attic of a man who is his spitting image, he goes down a rabbit hole to discover the identity of this mysterious doppelganger known only as the visitor. It isn’t long until he realizes – where the visitor goes, death follows.
CREMASTER 2 (1999) is rendered as a gothic Western that introduces conflict into the system. On the biological level it corresponds to the phase of fetal development during which sexual division begins. In Matthew Barney’s abstraction of this process, the system resists partition and tries to remain in the state of equilibrium imagined in Cremaster 1 …
Taking over Leeds United, Brian Clough’s abrasive approach and his clear dislike of the players’ dirty style of play make it certain there is going to be friction. Glimpses of his earlier career help explain both his hostility to previous manager Don Revie and how much he is missing right-hand man Peter Taylor
With one bullet, Motley’s life spirals out of control as he’s forced to go on the run from the ruthless crime lord, Jed Haywood. The brother of Haywood’s best friend Boons recently died in a terrible car accident and today is the funeral. He has 10 hours to bring Motley in and get to the cemetery. Over the course of a day, Motley and Boon play a game of cat and mouse as their fate brings them together for a climatic showdown.
Don Poli, the patriarch of a family embedded in politics, faces the change of party in his state – after a hundred years in power – losing all his privileges. Humiliated and angry, he threatens to disinherit his family and leave to rebuild his life. This forces his children (Kippy, Ramses and Belén) to take extreme measures to ensure their future, causing everything that could go wrong to turn out worse.
Based on the play ‘Cyrano de Bergerac’, large-nosed C.D. Bales falls for the beautiful Roxanne—while she falls for his personality but another man’s looks.
Everyone in the Osayande family worries about Isoken. Although she has what appears to be a perfect life – beautiful, successful and surrounded by great family and friends – Isoken is still unmarried at 34 which, in a culture obsessed with marriage, is serious cause for concern. Things come to a head at her youngest sister’s wedding when her overbearing mother thrusts her into an orchestrated matchmaking with the ultimate Edo man, Osaze. Osaze is handsome, successful and from a good family, making him the perfect Nigerian husband material. But in an unexpected turn of events, Isoken meets Kevin who she finds herself falling in love with and he just might be what she truly wants in a partner. The only problem is, not only is he not an Edo man, he is Oyinbo (Caucasian). Isoken is a romantic dramedy that explores cultural expectations, racial stereotypes and the bonds that unite families in a touching, dramatic and comedic way.
Mortimer Brewster is a newspaperman and author known for his diatribes against marriage. We watch him being married at city hall in the opening scene. Now all that is required is a quick trip home to tell Mortimer’s two maiden aunts. While trying to break the news, he finds out his aunts’ hobby; killing lonely old men and burying them in the cellar. It gets worse.
