In this updated retelling of Dickens’ “A Christmas Carol,” ruthless business-woman and shopping store owner Elizabeth “Ebbie” Scrooge is taught the true spirit of Christmas by three Spirits who visit her.
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Puppets! Pixels! Anime! Live action! Stock footage!
Lumpennerd Johannes Grenzfurthner gives an ideotaining cinematic revue about important political concepts. Everyone is talking about freedom! Privacy! Identity! Resistance! The Market! The Left! But, yikes, Johannes can’t tolerate ignorant and topically abusive comments on the “Internet” anymore! Supported by writer Ishan Raval, in this film, Johannes explains, re-evaluates, and sometimes sacrifices political golden calves of discourse.
Not to be used with false consciousness or silicone-based lubricant.
Blowtorch is the Brooklyn story of Ann Willis, a recently widowed and financially struggling, mother of three. When her oldest son is murdered, she inexorably takes the investigation into her own hands.
The Earnshaws are Yorkshire farmers during the early 19th Century. One day, Mr. Earnshaw returns from a trip to the city, bringing with him a ragged little boy called Heathcliff. Earnshaw’s son, Hindley, resents the child, but Heathcliff becomes companion and soulmate to Hindley’s sister, Catherine. After her parents die, Cathy and Heathcliff grow up wild and free on the Moors and despite the continued enmity between Hindley and Heathcliff they’re happy — until Cathy meets Edgar Linton, the son of a wealthy neighbor.
A minor car accident drives two rival aluminum-siding salesmen to the ridiculous extremes of man versus man in 1963 Baltimore.
Blackmailing a young couple to assist with his horrific experiments the Baron, desperate for vital medical data, abducts a man from an insane asylum. On route the abductee dies and the Baron and his assistant transplant his brain into a corpse. The creature is tormented by a trapped soul in an alien shell and, after a visit to his wife who violently rejects his monstrous form, the creature wrecks his revenge on the perpetrator of his misery: Baron Frankenstein.
Living with an intellectual disability, Louis is wrongfully accused of the murder of his sister Delia and sentenced to 5 years in prison. Upon release, he is visited by one of the last men to see her alive who implies there is more to her killing than meets the eye. Armed with this new information, Louis embarks on a personal mission to find who is responsible for Delia’s mysterious death.
A down-on-his-luck man discovers that his new apartment is inhabited by a self-absorbed ghost.
Writer-director Randall Miller’s heart-achingly sweet drama centers on the unsatisfying personal life of protagonist Frank Keane (Robert Carlyle), a sensitive baker who remains deeply despondent over his late wife’s untimely death. When Frank helps a stranger (John Goodman) who’s sidelined by a fatal accident on his way to a fateful reunion, he decides to show up for the rendezvous in the man’s place. In the process, he finds hope and redemption.