In a small seaside town, two schoolgirls are assaulted by a middle-aged man in a motel. Mia, a teenager who was working on reception that night, is the only witness. For fear of losing her job, she says nothing. Meanwhile, 12-year-old Wen, one of the victims, finds that her troubles have only just begun. Trapped in a world that offers them no safety, Mia and Wen will have to find their own way out.

Summer in L.A., it’s hot. Homeland Security has set the threat level at red; they’re searching for several Arabs alleged to be terrorists. Mustafa, an Egyptian immigrant who runs a falafel shop, comes to the FBI’s attention; they investigate him. He has other problems: his young teen son no longer wants to be a Muslim; his sister, a nurse, objects to Mustafa arranging her marriage to a cousin from Egypt. She has a non-Arab suitor of her own. Omar, an employee of Mustafa, is a struggling actor who doesn’t want to play only terrorists. Mustafa hopes to open a real restaurant and has a potential partner in Sam, a Jew, whose family objects. What is the price of the American dream?

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In post-WWII Communist Czechoslovakia, several characters considered bourgeois are sentenced to work in a junkyard for rehabilitation. Among them is a young man who pines for a female convict.

A bickering couple drive fast through a downpour to catch the last ferry to their island retreat. In a flash, they recognize a crumpled body laying at the side of the road after much argument they stop, only to find a young boy battered and bruised. An offer of summoning the police firmly rejected, the two help the boy as best they can although it certainly means missing the ferry… and so starts this thriller: a tale of twisted sexual attraction and ulterior motives.

Kitty Reily (Patsy Kelly) and Lena Marchetti (Lyda Roberti) meet each other at an amateur Radio Show. Kitty quickly learns to greatly dislike incompetent Lena. They keep running into each other until Kitty resigns to being friends with Lena when they become hospital nurses and share a dorm room.

In a small Saskatchewan town in the 1960s, Yvette Wong, a young girl of Chinese and Cree heritage, struggles with her Indigenous identity amidst family tragedy in this coming-of-age film directed by Mohawk artist and filmmaker Shelley Niro. Yvette’s mother, Katherine, discourages her from embracing her Cree identity, so she explores it in secret. As she learns more about herself and her Indigenous heritage, Yvette finds a friend in Maggie Wolf, who embraces being part Mi’kmaq and encourages Yvette to be proud of being Cree. When her classmates learn about her Cree ancestry, Yvette encounters the realities of being Indigenous, facing prejudice with pride and holding fast to her dream of becoming a doctor. Café Daughter is inspired by true events and based on Kenneth T. Williams’ play of the same name.

Dealing with life changes at the beginning of the 2020 pandemic a black and white family deal with racial tension. Things take a turn for the worse during the city’s mandatory shutdown as a high school house party spirals out of control.

The story about Gloria Wandrous, a promiscuous fashion model, who falls in love with Weston Liggett, the hard drinking son of a working class family who has married into money.

A high school transfer student finds a new passion when she begins to work on the school’s newspaper.

Jin-a, a young prostitute, moves into a seaside motel called the Birdcage Inn, run by a dysfunctional family. Struggling with her circumstances and the family’s treatment, she forms an unlikely bond with the daughter, Hye-mi. As they navigate love, betrayal, and personal growth, their friendship ultimately leads to a deeper understanding and a chance for redemption.

In Philadelphia, a small-time bookie who stole mob money is in hiding and he begs a childhood friend to help him evade the hit-man who’s on his trail.