Director: Tim Connery After receiving his future obituary via a cryptic Internet file, Easton Denning is forced to confront his troubled past in order to prevent his predicted demise.
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Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.
Renee and Valerie, a couple at a cross roads in their relationship, leave the city to spend the week at a remote cabin with friends. But when they arrive, their friends are nowhere to be found. As they stumble through their relationship woes, they discover they are being hunted by a group of militant extremists who are determined to exterminate them.
Jean Valjean, a Frenchman imprisoned for stealing bread, must flee a police officer named Javert. The pursuit consumes both men’s lives, and soon Valjean finds himself in the midst of the student revolutions in France.
Lin Xiao, Gu Li, Nan Xiang, Tang Wanru – these four best friends, after waving goodbye to their school campus and entering the workforce, they are faced with various challenges in their life: friendship, love, and career. Together, they become lost in life, having long forgotten their past courage.
A college professor travels to New York City to attend a conference and finds a young couple living in his apartment.
Bunny King is a mother of two, a rough cut diamond with a sketchy past. While battling the system to reunite with her children, a confrontation leads her to take her niece Tonyah under her wing. With the world against her and Tonyah, Bunny’s battle has just begun.
After his cousin commits suicide, Stewart Cooper begins to unravel a web of shaming, lies, and secrets. Driven by his own emotional turmoil, he turns the tables on his cousin’s ex and the man she had an affair with — her church pastor.
In 1900, a clan attempts to strike a deal with a Chicago industrialist to get him to build cotton mills in their Deep South town.
After Charles Forsyth was sent to the electric chair for a crime he didn’t commit, he forever haunts the prison where he was executed. Flash forward several years when the prison is reopened, under the control of its new warden Eaton Sharpe, a former security guard who framed Charlie. When prisoners are ordered to break down the wall to the execution room, they unknowingly release the angry spirit of Charles Forsyth, a powerful being distributing his murderous rage to all, leading up to the Warden himself.
The Beck group, with Alex Beijer as new group manager, is given a case where a 12-year-old girl found her mother dead below the stairs at home. Is it an accident or would someone have the single mother something bad? It turns out that the family lives with a protected identity and during the investigation, the case takes several surprising twists. “Without intentions” is the 37th film in the series with Peter Haber like Martin Beck.
