They come from all over Eastern Europe: Russia, Romania, Chechnya. They are Eastern boys. The oldest appear no more than 25; as for the youngest, there is no way of telling their age. They hang around the Gare du Nord train station in Paris. They might be prostitutes, but there is no way of knowing for certain. Muller, a discreet man in his late fifties has his eye on one of them – Marek. One afternoon, Muller gathers his courage and speaks to him. The young man agrees to come visit Muller the following day, at his place. However the next day, when the doorbell rings, Muller doesn’t have the faintest idea that he has fallen into a trap.
You May Also Like
Is there room for principle in Los Angeles? Mike Terry teaches jujitsu and barely makes ends meet. His Brazilian wife, whose family promotes fights, wants to see Mike in the ring making money, but to him competition is degrading. A woman sideswipes Mike’s car and then, after an odd sequence of events, shoots out the studio’s window. Later that evening, Mike rescues an action movie star in a fistfight at a bar. In return, the actor befriends Mike, gives him a gift, offers him work on his newest film, and introduces Mike’s wife to his own – the women initiate business dealings. Then, things go sour all at once, Mike’s debts mount, and going into the ring may be his only option.
In the Fifteenth Century, France is a defeated and ruined nation after the One Hundred Years War against England. The fourteen years old farm girl Joan of Arc claims to hear voices from Heaven asking her to lead God’s Army against Orleans and crowning the weak Dauphin Charles VII as King of France. Joan gathers the people with her faith, forms an army and conquerors Orleans. When her army is ready to attack Paris, the corrupt Charles sells his country to England and dismiss the army. Joan is arrested, sold to the Burgundians England and submitted to a shameful political trial in Rouen castle.
Remake of a 1956 Fritz Lang film in which a novelist’s investigation of a dirty district attorney leads to a setup within the courtroom.
Abner Hale, a rigid and humorless New England missionary, marries the beautiful Jerusha Bromley and takes her to the exotic island kingdom of Hawaii, intent on converting the natives. But the clash between the two cultures is too great and instead of understanding there comes tragedy.
A war veteran suffering from amnesia, returns to Los Angeles from a San Francisco veterans hospital hoping to learn who he is and discovers his criminal past.
Dull and plain Catherine (Olivia de Havilland) lives with her emotionally distant father, Dr. Sloper (Ralph Richardson), in 1840s New York. Her days are empty — filled with little more than needlepoint. Enter handsome Morris Townsend (Montgomery Clift), a dashing social climber with his eye on the spinster’s heart and substantial inheritance. William Wyler’s Oscar-winning film is an adaptation of the Henry James novel Washington Square.
A family reunion goes awry when the oldest son makes the accusation that his dying father, a famed psychiatrist who also did work for the CIA, adopted his children for the purposes of psychological experimentation.
What happens when a small town detective, Rachel Willow discovers what it is happening in her city. It’s an intimate story that exposes that sex trafficking isn’t just an international problem, or a city problem. It can happen anywhere.
One hour before their wedding, Ceren and Semih, who make their final preparations at the hotel where the ceremony will be held, are forced to question their happiest days when their close friend Mert begins to reveal the secrets of the past.
Paris 1913. Coco Chanel is infatuated with the rich and handsome Boy Capel, but she is also compelled by her work. Igor Stravinsky’s The Rite of Spring is about to be performed. The revolutionary dissonances of Igor’s work parallel Coco’s radical ideas. She wants to democratize women’s fashion; he wants to redefine musical taste. Coco attends the scandalous first performance of The Rite in a chic white dress. The music and ballet are criticized as too modern, too foreign. Coco is moved but Igor is inconsolable.
