The history of the East Lake Meadows public housing project in Atlanta and the people who lived there from 1970 to its demolition in 2000, with special emphasis on the activism of Eva Davis asserting the rights of the tenants.
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The heir to a Burger Baron franchise, the filmmaker chases clues through rural Alberta, capturing the trials and tribulations of Arab immigrants while uncovering the saga of a rogue fast-food chain with mysterious origins and a cult following.
The 400 million people of China are heirs to a great civilization, as their pagodas and stone lions can attest. But they are under attack from the Japanese. Civilian refugees walk, stumble, crawl to escape the destruction of their cities… While in the China of tradition, water buffalo still work the paddies and camels cross the desert, modern China is now a republic founded by Dr. Sun Yat-sen, with modern schools, heavy industry, large engineering projects… The government of Chiang Kai-shek resists the Japanese invasion from the coast. Madame Chiang receives a cheque from the U.S.A. for war relief. War production continues in distant villages safe from the grasp of the Japanese. With modern weapons the Chinese are pursuing their struggle behind enemy lines. And still their opponent persists in his reprisal bombings of civilian targets. “Will these people win?”
The story of the biggest demonstration in human history, which took place on 15th February 2003, against the impending war on Iraq.
In 1967 a group of Victorian AFL (VFL) stars jetted off to challenge the All-Ireland champions, County Meath, at their own game. The players were, and are, household names – Barassi, Skilton, Jesaulenko, Davis, Hart, Nicholls, Mann, Dugdale, Fraser. Most didn’t own passports. Most had barely been out of Victoria. Ex-umpire and media juggernaut Harry Beitzel was the man who made it happen. He mortgaged his house. He organised the opponent. He flew his team of champions on a milk run to Darwin, Hong Kong, Paris, Dublin, London, New York and beyond to plant the seed of international competition. The Galahs is a rare feature film that reconnects fans with all time greats of both VFL and GAA football.
The documentary featured Guy take on the task of ensuring the iconic military aircraft was fit to fly on its 1000 mile fareware tour of Britain. Given exclusive access like no one else before him, Guy became one of the few civilians to ever take control of a military aircraft when he was handed the Vulcan as he tried to taxi the 70 tonne aircraft along a runway.
A documentary spanning over 30 years of the California Bay Area’s punk music history with a central focus on the emergence of Berkeley’s inspiring 924 Gilman Street music collective.
In a cluttered news landscape dominated by men, emerges India’s only newspaper run by Dalit women. Armed with smartphones, Chief Reporter Meera and her journalists break traditions on the frontlines of India’s biggest issues and within the confines of their own homes, redefining what it means to be powerful.
A powerful documentary film that tells stories from the front lines of the opioid crisis. The film features four families whose lives have been impacted and forever changed by addiction, and includes perspectives from the recovery community, law enforcement, health care workers, judges, prosecutors, and others who deal with people in this crisis every day. Trigger Warning: Scenes of drug use.
A family that survives the genocide in Indonesia confronts the men who killed one of their brothers.
In August 1988, two armed bank robbers keep German police at bay for 54 hours during a hostage-taking drama that ends in a shootout and three deaths.
For Berliners, the Baltic island of Usedom was once the most luxurious destination for excursions within striking distance of the city. This is where imperial Germany’s grand health resorts of Bansin, Heringsdorf and Ahlbeck were built. Heinz Brinkmann, who was born in Heringsdorf, traces the eventful history of his island.
STATE OF FEAR takes place in Peru, yet serves as a cautionary tale for a world engaged in a “global war on terror.” It dramatizes the human and societal costs a democracy faces when it embarks on a “war” against terror, a “war” potentially without end, all too easily exploited by unscrupulous leaders seeking personal political gain.