The hunt for aliens is on! After a distinguished career in cosmology Professor Martin Rees, the astronomer royal, has taken up the search for extra-terrestrials. Looking for aliens is no longer science fiction – it is a question that’s engaging some of the greatest minds in science. As our knowledge of the universe has increased, we’re getting closer to answers. Many scientists now think we live in galaxy with a billion Earth-like planets, many of which may be teeming with life. But what kind of life? Has anything evolved into beings we could communicate with? This film gets inside the minds of the scientists considering one of the most exciting and profound questions we can ask – are we alone in the universe? Professor Rees thinks we may have our idea of what an alien is like all wrong. If he’s right, it’s not organic extra-terrestrials we should look for, it’s machines.

Explores Llanos del Caudillo, a town from La Mancha founded in 1955 by the dictator Franco; a discreet and calm attempt to dissect recent Spanish history and to review how some Spaniards deal with the cruel heritage of their past. A reflection on what to do with the Francoist legacy in towns, streets and squares in Spain.

Cameramen and women discuss the craft and art of cinematography and of the “DP” (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.

Travel the globe to experience the vital connection between humans, animals, and our planet through stunning, rarely before seen footage which exposes the effects that deforestation and the illegal trade of threatened and endangered species have on elephants, lions, sharks, orangutans, and more. By caring for these beautiful animals, we begin a healing process that will eventually help us all.

A behind-the-scenes look at the popular boy band, Backstreet Boys.

In 1999 Aaron Baker broke his neck in a motocross accident, leaving him completely paralyzed from the neck down. Despite doctor’s grim prognosis over the next 16 years Aaron decided not to listen to those who said ‘he had a million-to-one odds of ever feeding himself again’ and instead, through painstaking effort, endeavored to regain as much mobility as possible. This journey through the unknown took him from the depths of depression to the joys of cross country road tripping via tandem bicycle with his mother and friends, and finally, culminated in his opening a socially conscious low cost gym focused on increasing mobility for the disabled. Now in Coming To My Senses we watch as Aaron takes one final journey which symbolizes his recovery: to cross a 20 mile tract of Death Valley unsupported on foot. But will he make it?

Inspired by New York City streetball, influential brand AND1 turned local legends on the court into international icons. So why did it come to an end?

Medicinal cannabis, along with other magnificent natural pharmacopeia, may be the answer to reclaiming our freedom and mending our bodies. This new film takes us on a fantastic journey into the natural realm of plant healing.

Chronicles the true story behind Argo’s Hollywood embellishments by looking at the efforts of the venerable Ken Taylor, Canada’s former ambassador to Iran, who personally sheltered six American diplomats in the operation that became known as “the Canadian Caper.”

Their family name alone evokes horror: Himmler, Frank, Goering, Hoess. This film looks at the descendants of the most powerful figures in the Nazi regime: men and women who were left a legacy that indelibly associates them with one of the greatest abominations in history. What is it like to have grown up with a name that immediately raises images of genocide? How do they live with the weight of their ancestors’ crimes? Is it possible to move on from the crimes of their ancestors?

Marilyn wasn’t born Marilyn, she became it. This unique portrait reveals her in her own words: a lucid and determined woman, shifting image of the diktats that still define feminity.

One winter, a pastor finds an abandoned infant on his church steps, and builds ‘a drop box’ to rescue any future foundlings.