Writer/director Curtis Harrington does an admirable job working around the severe budget limitations of the 1961 psychological chiller Night Tide. Sailor Johnny (Dennis Hopper) falls in love with carnival-girl Mora (Linda Lawson), despite warnings that Mora is a “jinx” who has brought about the deaths of two previous suitors.

A mother and teen daughter believe they have at last found safe refuge from their abusive husband and father Michael. Michael, enraged by their escape, will do anything to find them. After undergoing drastic plastic surgery, he assumes a new unrecognizable identity, and the hunt for his family begins.

Ruoxuan lost all of her childhood memories due to an accident happened at her old home when she was a kid. Years later, the old mansion was turned into a medical school. However, whenever Ruoxuan passes by the remains of the old house — an old well, she has bits and pieces of memories flashing back to her. Realizing there must be some special connections between the old well and the memories she has lost, she decided to dig more about the situation. At the same time, her boyfriend went missing mysteriously. In order to save her boyfriend and to unfold the truth, Ruoxuan made a trip down the old well.

Jamie Bamber portrays John Doe – a man accused of being a vigilante serial killer. As we await verdict on his trial, the film dissects the reasoning behind his actions which have divided the community. While imprisoned, a vigilante group called Speak for the Dead emerges in support of John Doe’s cause elevating the debate about justice versus vengeance.

A grieving father grapples with the seedy, manipulative world of high stakes debt collection while struggling to shed the tragedies of his past. He find’s himself pitted against his best friend with troubling consequences.

A Chicago journalist suffering from memory loss takes leaves from his job and returns to his rural hometown, where he bonds with his Alzheimer’s impaired uncle Rollie and his old flame.

After their mother passes away, sisters Nicole and Annie reluctantly return to their childhood home to pay their last respects. While staying overnight in the house, the sisters sense a mysterious presence in their midst: noises startling them in the night, objects moving about, a fallen picture of an unknown woman posed next to their mother. Annie begins experiencing a series of intense and disturbing dreams – visions that lead her to uncover something terrible about her mother’s past that is finally revealing itself.

A young man from a small mining town embroils himself with a wealthy family with a dubious past.

Kalima, a young foreigner just arrived in Buenos Aires, attends a job interview, without suspecting that the job is with a mysterious sect working in the human trafficking business.

After crossing the border illegally for work, Miguel, a hard-working father and devoted husband, finds himself wrongfully accused of murdering a former sheriff’s wife. After learning of his imprisonment, Miguel’s pregnant wife tries to come to his aid and lands in the hands of corrupt coyotes who hold her for ransom. Dissatisfied with the police department’s investigation, the former sheriff tries to uncover the truth about his wife’s death and discovers disturbing evidence that will destroy one family’s future, or tear another’s apart.

Recluse Smith is drawn into a revolutionary struggle between guerrillas and right-wingers in New Zealand. Implicated in a murder and framed as a revolutionary conspirator, Smith tries to maintain an attitude of non-violence while caught between warring factions.

Lawrence Salva’s script centers on a detective (Facinelli), on the trail of a murderer, who is led to believe that a local teenager, harboring some sort of strange supernatural power, may be involved. Slater plays the man’s disbelieving boss, while Hauer plays a man-of-the-cloth who aids the cop on his mission.