As rates of femicide and domestic abuse soar in Turkey and democratic rights for women are increasingly eroded, a lawyer and her clients bravely risk everything for their freedom by standing up to the government and putting violent men behind bars.
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While the 2016 election catalyzed the Women’s March and a new era of feminist activism, Tamika Mallory and Erika Andiola have been fighting for their communities for decades. Their stories expose the fundamental connection between personal and political and raise the question: what’s intersectionality and can it save the world?
A look at the rise of crack cocaine in urban America in the 1980s and it’s influence on popular culture, especially in hip-hop music.
Mark Gatiss steps into the mind of MR James, the enigmatic English master of the supernatural story. How did this donnish Victorian bachelor, conservative by nature and a devout Anglican, come to create tales that continue to chill readers more than a century on? Mark attempts to uncover the secrets of James’s inspiration, taking an atmospheric journey from James’s childhood home in Suffolk to Eton, Cambridge and France, venturing into ancient churches, dark cloisters and echoing libraries along the way.
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Cheryl, playing herself, humorously experiences the mysteries of lesbian dating in the ’90s.
The final entry in a trilogy of films produced for the U.S. government by John Huston. Some returning combat veterans suffer scars that are more psychological than physical. This film follows patients and staff during their treatment. It deals with what would now be called PTSD, but at the time was categorised as psychoneurosis or shell-shock. Government officials deemed this 1946 film counterproductive to postwar efforts; it was not shown publicly until 1981.
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In 1991, Wanda Holloway was arrested for trying to hire a hit man to kill her daughter Shanna’s cheerleading rival so that Shanna could get a place on the team. Now, Shanna reveals the truth behind what happened for the first time.
Heddy Honigmann returns to her birthplace of Lima, Peru to reacquaint herself with a place and people dear to her heart. It is about a forgotten city, a forgotten history and a forgotten people. With irony as their loved weapon for survival, they have to forget as well, in order not to give way to cynicism, hatred and grief. It is about remembering the old days when life – despite class differences, corruption and violence – was still good: waiters, bartenders and shopkeepers who are fighting a losing battle and have lost everything. It is also about the children who manage to survive by mastering the art of street life and who reveal the country in it’s true colours. Just like the dogs they share the streets with, they have no good memories to forget.