When a candidate for state senate threatens the future of the D-rate driving academy, “Driven to Succeed,” it’s up to the self centered owner and his staff of moronic, drunk, pill-popping instructors to save the school – and their jobs.
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We’ll Never Have Paris is a clumsy and at once human account of screwing up on a transcontinental level in a noble effort to win back “the one.”
After killing her husband, Peggy Gravel and her murderous maid Grizelda, wind up in the crazy town of Mortville, where Queen Carlotta presides over a sleazy collection of misfits.
Nour is a pleasant and funny person who works as an accountant at a fitness center in Paris. Everybody likes her, but she has no luck in her romantic endeavours because she is overweight with atypical looks. Her close friends try to give her advice, but they are not particularly successful in the love department either. Her mother and brother are also close, but they are of no help, rather the contrary. One day she witnesses a pole dancing class at her workplace, something that she would never dream of doing herself, but she sees how much the women in the class and their teacher are enjoying themselves, so she is tempted. Finally the teacher starts giving her private lessons since she is too ashamed of her body to do anything in public. Slowly but surely she gains confidence in herself and many things change in her life.
After the disastrous food storm in the first film, Flint and his friends are forced to leave the town. Flint accepts the invitation from his idol Chester V to join The Live Corp Company, which has been tasked to clean the island, and where the best inventors in the world create technologies for the betterment of mankind. When Flint discovers that his machine still operates and now creates mutant food beasts like living pickles, hungry tacodiles, shrimpanzees and apple pie-thons, he and his friends must return to save the world.
Ana is an ambitious intern dreaming of a career in the art world while trying to impress her demanding boss Claire. When she’s upgraded to first class on a work trip, she meets handsome Will, who mistakes Ana for her boss– a white lie that sets off a glamorous chain of events, romance and opportunity, until her fib threatens to surface.
An American scholar in Greece sets about improving the local prostitute with whom he is infatuated.
A lonely metermaid has a psychotic reaction to his medication and becomes convinced he’s a superhero. A very select group of people in life are truly gifted. Special is a movie about everyone else.
Tired of the noise and madness of New York and the crushing conventions of late Eisenhower-era America, itinerant journalist Paul Kemp travels to the pristine island of Puerto Rico to write for a local San Juan newspaper run by the downtrodden editor Lotterman. Adopting the rum-soaked lifestyle of the late ‘50s version of Hemingway’s “The Lost Generation,” Paul soon becomes entangled with a very attractive American woman, Chenaults and her fiancée Sanderson, a businessman involved in shady property development deals. It is within this world that Kemp ultimately discovers his true voice as a writer and integrity as a man.
Chizuru (Anne Watanabe) is the new teacher at Umega High School. Since her school days, she has played violin in an orchestra. One day, she listens to an amateur orchestra play at the local cultural hall. She is touched by their performance and decides to enroll in the orchestra, but there are 2 orchestras in town. Chizuru mistakenly enrolls in the orchestra which consists of elderly people. The members there are thrilled to have a young person join their group. Chizuru is unable to tell them she made a mistake and becomes the conductor for their orchestra.
Quiet, kindhearted introvert Marcie has lots of brilliant ideas to help her friends achieve goals and solve problems. But when the world takes notice and the spotlight lands on her, sharing those ideas becomes a challenge.
“Listen: Billie Pilgrim has come unstuck in time.” Slaughterhouse-Five is an award-winning 1972 film adaptation of Kurt Vonnegut’s novel of the same name. Director Hill faithfully renders for the screen Vonnegut’s obsessive story of Pilgrim, who survives the 1945 firebombing of Dresden, then lives simultaneously in his past, present, and future.
