Comedian Drew Michael is taking the stage and is holding nothing back in his first HBO stand-up special, in which he navigates his fears, anxieties and insecurities in an unconventional stand-up setting. Michael’s darkly comic, stream-of-consciousness monologue raises questions of identity, narrative, self-awareness and the limits of the medium itself.
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If Columbia could make an acceptable movie star out of opera-diva Grace Moore, then RKO Radio could do the same with Lily Pons. At least that was producer Pandro S. Berman’s reasoning when he cast Pons in the 1935 musical romance I Dream too Much. The actress plays Annette, a rural French musical student who marries struggling American composer Jonathan (Henry Fonda). Possessed of a splendid singing voice, our heroine rises to fame on the opera stage, while poor Jonathan continues struggling, supporting himself as a tour guide. Annette eventually saves her marriage by transforming her husband’s “masterpiece,” a rather turgid modernistic opera, into a light-hearted musical comedy. Lucille Ball, who’d later co-star with Henry Fonda in The Big Street and Yours, Mine and Ours, has a funny minor role as a gum-snapping tourist. Though Lily Pons was at least 10 years older than Fonda, they make an attractive and believable screen couple, adding credibility to this somewhat contrived yarn
A photographer convinces a model to use sex to obtain what she desires.
On her 35th birthday, Lexi discovers that she will suddenly have to give up her normal life in New York and become who she always secretly was… a royal Princess. She has two weeks to come to terms with this, reveal her true identity to her best friend, and find a suitable date for the royal gala, where she will be introduced to the world. All under the watchful eye of her handsome but infuriating bodyguard, Noah.
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