“Dreamin’ Wild” tells the true story of the Emerson family and the tumult that followed the success of their self-recorded pop-funk album of the same name, which went largely unnoticed until critics rediscovered and reappraised it decades later. Now, as an adult, Donnie is forced to confront the ghosts from the past and grapple with the emotional toll his dreams have taken on the family who supported him.
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Two teenage boys unwittingly summon an ancient evil entity known as The Blind One by delving into black magic while trying to escape their mundane lives.
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After a failed relationship with a waitress, a young gay man is challenged by his love for a straight mechanic.
When notorious pirate Henry Morgan is made governor of Jamaica, he enlists the help of some of his former partners in ridding the Caribbean of buccaneers. When one of them apparently abducts the previous governor’s pretty daughter and joins up with the rebels, things are set for a fight.
In a future where water is scarce, a farmer defends his land and hopes to rejuvenate his parched soil. However, his daughter’s boyfriend schemes to steal the land for himself.
The activities of rampaging, indiscriminate serial killer Ben are recorded by a willingly complicit documentary team, who eventually become his accomplices and active participants. Ben provides casual commentary on the nature of his work and arbitrary musings on topics of interest to him, such as music or the conditions of low-income housing, and even goes so far as to introduce the documentary crew to his family. But their reckless indulgences soon get the better of them.
For his next project, successful music producer Frank Farian hires dancers Rob Pilatus and Fab Morvan and helps the two friends to a skyrocketing success, under the name Milli Vanilli. Only a small circle of insiders know their secret: the duo don’t sing themselves, they just move their lips – to the voices of the real singers. At the height of their fame, Milli Vanilli threatens to become the biggest scandal in music history. Not only the truth is at stake, but also their friendship…
Jessica, a young, up-and-coming filmmaker in Hollywood has made a name for herself directing Christmas movies. But when handsome network executive Christopher shows up threatening to halt production on her latest movie, Jessica’s assistant, Reena, points out the irony: Jessica isn’t just trying to save her Christmas movie, she’s actually living in one. Jessica must now juggle all the classic tropes—her actors falling in and out of love, a wayward elf dog, and her own stirring romantic feelings for her perceived nemesis—in order to get her movie and her life to their happy endings.
A film uncovering the deadly secrets of two families and how trying to use the Word of God for bad will still turn things around for good.
An Episcopal Bishop, Henry Brougham, has been working for months on the plans for an elaborate new cathedral which he hopes will be paid for primarily by a wealthy, stubborn widow. He is losing sight of his family and of why he became a churchman in the first place. Enter Dudley, an angel sent to help him. Dudley does help everyone he meets, but not necessarily in the way they would have preferred. With the exception of Henry, everyone loves him, but Henry begins to believe that Dudley is there to replace him, both at work and in his family’s affections, as Christmas approaches.
In a misguided attempt to protect his family and pay back gambling debts to the local Mobster, Jimbo robs a fish market, which is coincidentally owned by the same Mobster. On the run, Jimbo is cornered in a local curio shop, where he takes hostage an assortment of colorful characters, including Maguire, who may be his illegitimate father. Surrounded by the Police, the SAS, and the Mobster’s crew, the young man must find a way out of his precarious predicament with the help of his oddball captives.