From the makers of Werewolf in a Women’s Prison comes, uh, well I’m sure you can guess.
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A struggling freelance writer, while investigating the transvestite night life, stumbles across a serial killer in action. The two then strike up a bizarre partnership to document the killer’s motives and handiwork as a possessed detective struggling with his own personal demons tries to solve the crimes.
A pair of country thieves make friends with a general rising within the imperial army. After the general finds himself falling in love with the beautiful sister of one of the thieves (who is the fiancee of the other) he decides to do whatever it takes to get rid of the competition and have her for himself. Viewer discretion advised: this film contains extreme violence and sexual situations.
Robert Patrick stars as a private investigator traumatized by his father’s suicide who goes undercover in a mental institution to uncover the murderer of his psychiatrist.
Rusty Nail is back on the road again looking to punish injustice at every turn – and this time it’s with a group of hotheaded street racers on their way to the Road Rally 1000. As they drive through a desolate shortcut on the way to the race, an encounter with Rusty turns sour and soon he is tracking, teasing and torturing them until the end of the road.
When the murder of an archaeologist puts a valuable medallion into their hands, Abbott and Costello waste little time in trying to sell it, only to find themselves pursued by police, a slinky adventuress, an Egyptian high priest, and the mummy himself.
A small passenger spaceship is forced to make a crash landing somewhere on a desolate territory on Earth. In search of some essential mineral the crew discovers a hidden stash of military bio-weapon surplus. One of the crew members gets infected, and starts showing murderous tendencies.
Ten women spend the night in a supposedly haunted mansion on Spektor Island in December 1972. Crazy superstitions don’t stop them from raiding the wine cellar and throwing a party, at least until the first murder.
Sequel to Dracula 2000. Father Uffizi [Jason Scott Lee] hunts vampires. He travels the world to behead them with his bullwhip, but his ultimate goal is to find the first vampire, Dracula (revealed as Judas Iscariot in Dracula 2000), absolve Dracula’s sins against Jesus, set his soul free, and end his unholy existence. So, when Dracula’s charred body turns up in the New Orleans morgue, Uffizi heads there. Medical students, Liz Blaine [Diane Neal] and Luke [Jason London] are charged with autopsying the body. When they open the abdominal cavity, they find that the liver and other organs are white, suggesting to Luke that the person did not produce his own blood but got it elsewhere, i.e., a vampire.
A disillusioned woman tries to gain control of her life as the people closest to her begin to die mysteriously.
A doomsday virus of madness and death has destoyed the world’s adult population. Only the young survive. They watch in horror as their parents go mad and die. Haunted by terrifying memories, they fight for life in a bleak wasteland. Gangs of teens and outlaw children roam the scarred landscape. Sisters Evie and Fran keep to themselves, two outsiders gathering food and moving from town to town.
Greg Vincent is a struggling, alcoholic writer who has suffered a terrible loss in his life and is looking for inspiration for his next story. During this difficult time, he encounters a strange being from out of this world. Could this possible be the basis for the perfect story which could jump start not only his career but also his life?