In 1985, former oil rig worker Richard Linklater began a film screening society in Austin, Texas, that aimed to show classic art-house and experimental films to a budding community of cinephiles. Eventually incorporating as a nonprofit, the newly branded Austin Film Society raised enough money to fly in their first out-of-town filmmaker: James Benning. Accepting the invitation, Benning met Linklater and the two began to develop a personal and intellectual bond, leading to many future encounters. Starting in the 1960s, Benning had been creating low budget films mostly on his own, while Linklater had just begun to craft his first shorts. The filmmakers have remained close even as their careers have diverged. After the cult success of Slacker, Linklater went on to make films with Hollywood support. Benning, meanwhile, has stayed close to his roots and is mainly an unknown figure in mainstream film culture.
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This fascinating documentary offers an unprecedented look at a group of individuals who claim to have had life altering UFO encounters, and discovers the unique psychic abilities they unknowingly share. From unexplained sightings and alien contact, to prophetic dreams, clairvoyance and astral projection, we explore the phenomena that has surrounded these “experiencers” from childhood to their adult years. This documentary explores the theories of who and what the “visitors” really are, and uncovers a plausible scenario for their intentions, as well as the government’s involvement in suppressing this information from the public. Perhaps the greatest revelation is the shocking possibility that the alien visitor’s greatest acquisition will be achieved, not from probing our bodies, but rather by invading our minds.
It’s 1994: a 13-year-old boy disappears from his home in San Antonio, Texas. Three and a half years later, he is found alive, thousands of miles away, in Spain. Disoriented and quivering with fear, he divulges his shocking story of kidnap and torture. His family is overjoyed to bring him home. But all is not what it seems. Sure, he has the same tattoos, but he looks decidedly different, and he now speaks with a strange accent. Why doesn’t the family seem to notice these glaring inconsistencies? It’s only when an investigator starts asking questions that this astounding true story takes an even stranger turn.
First hand witness to the infamous World War II fire bombing and destruction of his hometown, Dresden, Germany, 15-year-old Diether Warneck lost his girlfriend and bicycled to the front-lines of the war, enlisting in the German army under Hitler’s rule. This single decision would haunt him for the rest of his life. Recalling the series of events that lead to his survival, Diether shares the extreme guilt he hid for seventy years while experiencing a life filled with love, family, intrigue, art and personal accomplishment.
That’s Not Funny is an examination of the history of taboo subjects and controversy in comedy, and one comedy fan’s heartfelt and passionate defense of an art form.
The film follows Max Stainton-Parfitt, a physically disabled man who sets out to trek to Mount Everest base camp on horseback. As the reality and pain of the trek hits, he is forced to question his original motivations and the meaning behind the journey.
Riveting look at the politics, big business and the medical industry that has made America the most prescription-addicted society in the world. America is less than 5% of the World’s population but consumes 80% of the World’s prescription narcotics. We have gone from being the land of the free to the land of the addicted.
Every story needs a brave and trustworthy guide, and Deli Man’s is the effusive and charming Ziggy Gruber, a third-generation delicatessen man – his uncle and great-uncle owned Berger’s in the diamond district, and the Woodrow Deli on Long Island. His grandfather owned the famous Rialto Delicatessen on Broadway, and Ziggy was stuffing cabbages atop of a crate when he was eight. Now he is owner and maven (as well as a Yiddish-speaking French trained chef) of one of the country’s top delis, Kenny and Ziggy’s in Houston – yes, Texas…Shalom y’all. Of course the story of deli isn’t Ziggy’s alone. Deli Man has visited meccas like the Carnegie, Katz’s, 2nd Avenue Deli, Nate ‘n Al, and Canter’s, as well as interviewed some of the great connoisseurs of deli, including Jerry Stiller, Alan Dershowitz, Freddie Klein, Dennis Howard, Jay Parker (Ben’s Best), Fyvush Finkel, and Larry King. – ComingSoon.net
Black Friday, the day after Thanksgiving November 2012, four boys in a red SUV pull into a gas station after spending time at the mall buying sneakers and talking to girls. With music blaring, one boy exits the car and enters the store, a quick stop for a soda and a pack of gum. A man and a woman pull up next to the boys in the station, making a stop for a bottle of wine. The woman enters the store and an argument breaks out when the driver of the second car asks the boys to turn the music down. 3½ minutes and ten bullets later, one of the boys is dead. 3½ MINUTES dissects the aftermath of this fatal encounter.
In Florida, parents can hire Wrinkles the Clown to scare their misbehaving children.
Music is an integral part of most films, adding emotion and nuance while often remaining invisible to audiences. Matt Schrader shines a spotlight on the overlooked craft of film composing, gathering many of the art form’s most influential practitioners, from Hans Zimmer and Danny Elfman to Quincy Jones and Randy Newman, to uncover their creative process. Tracing key developments in the evolution of music in film, and exploring some of cinema’s most iconic soundtracks, ‘Score’ is an aural valentine for film lovers.
The film is a stark and graphic portrayal of the conditions that existed at the State Prison for the Criminally Insane at Bridgewater, Massachusetts. TITICUT FOLLIES documents the various ways the inmates are treated by the guards, social workers and psychiatrists.
Ella Fitzgerald was a 15-year-old street kid when she won a talent contest in 1934 at the Apollo Theatre in Harlem. Within months she was a star. Over the next six decades, her sublime voice would transform the tragedies of her own life and the troubles of her times into joy. JUST ONE OF THOSE THINGS retraces this extraordinary journey.
