The final installment in Ulrike Ottinger’s Berlin Trilogy (following TICKET OF NO RETURN and FREAK ORLANDO) casts Delphine Seyrig as the nefarious Fritz Lang supervillain Dr. Mabuse, here the head of a powerful media empire that seeks to create headlines by manufacturing (and then publicly destroying) its own celebrity: the wealthy, handsome playboy Dorian Gray.
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A lesbian in the 1800s who keeps a detailed account of her life written in coded diaries attempts to live independently while juggling an affair with a married woman.
Happily engaged to her handsome fiance, Charles, Fanny is soon hit with one misfortune after another until she is forced to become a prostitute to survive. This is the story, with many erotic asides, of her struggle to regain her pride in herself and find happiness in life once again.
Beate Klarsfeld, a German Protestant housewife, who, with the help of her Jewish law-student husband, Serge, begins an unrelenting campaign after World War II to bring Nazi war criminals to justice.
Events of the film take place in both hemispheres. Presidents of countries, bosses of drug cartels, special agents and powerful secret service agencies from all around the world are the first hand participants of its events. The film begins with an account of a shocking yet quite ordinary skirmish – an average drug kin pin is beating one of his assistants with a golf club with a purpose of educating him, because the assistant’s cell phone was quite unlawfully confiscated by an overly diligent secret service agent. The mutilated gangster understands the incommensurability of his guilt and the level of his fault, and becomes the first character who asks the question: What do we know about the world we live in?
A live investigation of the supernatural goes horribly wrong, unleashing a primitive Himalayan creature known as the Snow Ghost.
Meet Shivani Shivaji Roy, Senior Inspector, Crime Branch, Mumbai Police, as she sets out to confront the mastermind behind the child trafficking mafia, which makes the mistake of kidnapping and smuggling a teenage girl who is like a daughter to her. Fighting a war which is very personal and in an obsessive hunt for the girl, Shivani stumbles into the world of debauchery, cruel desires and exploitation and onto a case that will change her life forever. What follows is a cat and mouse game between a fearless cop and a young and ruthless mafia kingpin. Catch Rani Mukerji in the lead, playing an edge of the seat role of a lifetime, in this raw and gritty film which will be a distinct departure from Pradeep Sarkar’s style of filmmaking.
In this heist film turned horror fest, director Álex de la Iglesia’s love of mayhem is on full display as a gang of gold thieves lands in a coven of witches who are preparing for an ancient ritual — and in need of a sacrifice.
The Krays is a film based on the lives and crimes of the British gangsters Ronald and Reginald Kray, twins who are often referred to as The Krays and were active in London in the 1960s.