One day, a talkative college student with a natural perm, Totonou Kunou (Masaki Suda) visits Hiroshima for an art exhibition, and there meets a teenage girl, Shioji Kariatsumari, who says she is a friend of Garo Inudo (Eita Nagayama). “Would you work for me? Lives and money are at stake. I’m serious.” She offers Totonou a part-time job, which turns out to be related to the succession of an enormous inheritance. Totonou decides to help her out, only to get involved in an inheritance battle of the noble and shady Kariatsumari family, where people have been killed for generations. Multiple dark sides and mysteries of the family are laid out behind the inheritance. What truth is buried there?
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Four young people, one city. For love or ideal, with funny and faint bewilderment. An original improvisation in Chinese Cinema, a brand new rendering of city life.
Alena’s life is far from simple. When she arrives at her new elite boarding school, Filippa and the other girls start to harass her. But Alena’s best friend Josefin won’t let her take anymore beating. If she won’t strike back, Josefin will do it for her. Hard.
A poignant story that deftly balances levity and gravity, Bay Ngot Ngao (Naked Truth) revolves around four childhood friends once madly determined to escape singledom. After years apart, they gleefully reunite to celebrate the 3-year marriage anniversary of the lone successor of the group to find marital bliss. Their reunion takes a shocking turn when, layer by layer, concealed lives are revealed, trapping each character in a tangled web of dangerous secrets that threaten to push precarious relationships over the edge. Bay Ngot Ngao (Naked Truth) is about the strength of lifelong friendships, the hidden darkness of domestic abuse, and the power of personal liberation. Directed by Dinh Ha Uyen Thu. Produced by Live On. US release by 3388 Films.
In real life, mystery writer Agatha Christie disappeared for 11 days in December 1926. To this day, no one knows the details of what she did during that time. The film gives a fictional account of Christie’s time away, showing her as a woman fleeing her own life after the death of her mother and the announcement from her husband that he is leaving her. She flees to a spa in Harrogate. With the whole country looking for her, an American reporter finds her and ultimately tries to help her.
In the 30s, a small village in the Provence is losing its inhabitants because young people prefer to go to the city to find easy jobs and escape from being farmers living in relative poverty. Only a few old people and the poacher Panturle remain. Panturle dreams of bringing the village back to life, finding a wife, founding a family and work as a farmer. One day, the village is visited by a traveling knife-grinder, Urbain Gedemus and a young woman, Arsule. Gedemus treats Arsule like a slave, but Arsule accept this because she has nowhere to go and -we guess- her ‘work’ with Gedemus is the last thing that saves her from being a prostitute. When she meets Panturle and knows about his dreams, she escapes from Gedemus and decides to stay with him. Together, they start a new life, made of hard farming work but mostly of happiness to have each other – fulfilling the earlier dreams of Panturle. Can anything break the happiness of their new life?
In 1925, Gabriela, a poor, uneducated, yet charming woman becomes cook, mistress, and then wife of Nacib, a bar owner in Ilhéus, a small Brazilian coastal town run by the local colonels.
Ten lost souls slip in and out of one another’s arms in a daisy-chained musical exploration of love’s bittersweet embrace. A film adaptation of Michael John LaChiusa’s celebrated musical, originally based on Arthur Schnitzler’s play, La Ronde.
Eighteen-year-old Shira is the youngest daughter of the Mendelman family. She is about to be married off to a promising young man of the same age and background. It is a dream come true, and Shira feels prepared and excited. On Purim, her twenty-eight-year-old sister, Esther, dies while giving birth to her first child, Mordechay. The pain and grief that overwhelm the family postpone Shira’s promised match. Everything changes when a match is proposed to Yochay-Esther’s late husband-to a widow from Belgium. Yochay feels it’s too early, although he realizes that sooner or later he must seriously consider getting married again. When the girls’ mother finds out that Yochay may marry the widow and move to Belgium with her only grandchild, she proposes a match between Shira and the widower. Shira will have to choose between her heart’s wish and her family duty. She will find out that the void which she must choose exists only within her heart.
An ambitious suburban housewife, tired of forever being in debt, sets up an independent stenography business. Finding that her clients are more interested in the women than the dictation, she revamps it into a discreet and highly profitable prostitution ring made up of neighbourhood wives.