‘Shakedown’ was a series of parties founded by and for African American women in Los Angeles that featured go-go dancing and strip shows for the city’s lesbian underground scene. Inspired by transwoman Mahogany who, as the mother of the scene, presided over queer strip shows and balls for non-heterosexual audiences in the 1980s, butch Ronnie Ron created, produced and presented the new shows. In them, the largely female clientele from the ‘hood’ slipped dollar notes into lap dancers’ panties while celebrating lesbian sexuality to pulsating hip-hop beats.

Cheryl, playing herself, humorously experiences the mysteries of lesbian dating in the ’90s.

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The pro-Palestinian, anti-capitalist, BDSM-provocative, techno-punk performance art ensemble Hatari unsurprisingly drew attention to themselves with their performance at the Icelandic qualifiers for the Eurovision Song Contest. So much so that they won and therefore were allowed to perform at the main event in Tel Aviv. But what now? Should they boycott the event, swallow their idealism, or use their airtime to criticise the host country for their illegal occupation of Palestine? The Icelandic director Anna Hildur joins the boys in the band all the way to the fateful final.

A washed up Vegas lounge singer, Jack Satin (Hamilton von Watts), has no money, no job, and delusional aspirations of fame. When Jack is forced to leave Vegas, he packs up his old Cadillac and hits the road for Atlantic City. But his car dies in the desert and Jack is left stranded in the small town of Lost Springs. There, Jack meets jazz legend turned mechanic, Doc Bishop (Robert Guillaume), who helps him with his car trouble. Although Jack is far from the stage, he begins to find himself feeling at home in the small town. When he meets local bar owner, Lauren Wells (Melissa Joan Hart), Jack starts to see there is more to life than chasing fame and fortune. Doc encourages Jack to explore his true love of music, while Lauren provides the audience he has always wanted. But as Jack realizes this town has more to offer him than the bright lights of the big city, his Vegas past catches up with him — what unfolds is comedy at the crossroads of life.

Mistaken for Strangers follows The National on its biggest tour to date. Newbie roadie Tom (lead singer Matt Berninger’s younger brother) is a heavy metal and horror movie enthusiast, and can’t help but put his own spin on the experience. Inevitably, Tom’s moonlighting as an irreverent documentarian creates some drama for the band on the road. The film is a hilarious and touching look at two very different brothers, and an entertaining story of artistic aspiration.

There is no New York without Broadway. It’s both a landmark and a community, an industry and a people, making magic in a dark theater, eight times a week. During the pandemic, over 96,000 people lost their jobs and an entire ecosystem of small businesses were brought to a standstill. Broadway Rising tells the story of the broadway community and its harrowing journey back to the stage following the COVID-19 shutdown. This feature documentary brings everyone into the spotlight – from the costume makers to the ushers to the producers to the stars.

Four women find purpose carrying babies for strangers in Boise, Idaho — the unofficial surrogacy capital of the United States — and encounter complexities along the way.

In an unremarkable office space, a select group of aging engineers find themselves at the leading edge of discovery. Fighting outdated technology and time, Voyager’s flight-team pursues humankind’s greatest exploration.

Poetic documentary about the polar expedition of S. A. Andrée which Troell had previously dramatized in “Ingenjör Andrées luftfärd” (1982).

Gabriel Iglesias entertains a packed house at El Paso’s Theatre in this Comedy Central special. For I’m Not Fat, I’m Fluffy, the comedian reaches new heights of hilarity, providing eerily perfect imitations and tales too tall not to be true. He also adds a new step to his five levels of fatness, and the sixth level is sure to leave audiences rolling in the aisles.

Michael Shulan was once a struggling novelist who owned a storefront space down in NYC’s trendy Soho neighborhood. The attacks on the World Trade Center changed his life forever. He & three friends turned his Spring Street space into a now-famous crowdsourced photo exhibit called “Here Is New York.” For five years, he was known as the world’s leading expert on 9/11 photography. Then, the lifelong outsider was invited to be part of something big. Shulan was named the Creative Director of the National 9/11 Museum at Ground Zero. This is the story of his dream job and how it turned against him. His vision of an open, inclusive, participatory place for America to engage in the painful, personal story of 9/11 goes wrong. His role as creative leader turns into a daily battle to keep his vision alive.