This third and final installment picks up on the same night as the previous installment as Charlie Crandall crashes a nearby slumber party before his final showdown with Doll Restoration Artist Stephanie.
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Industrial Animals is a very small film in almost every measurable metric. Weighing in at roughly 61 minutes, this low budget, found footage film from the UK features a cast of just three people who also cover many of the behind the scenes credits as well. In fact, the entire story takes place over a three-day span, mostly in one simple setting. But while all of the factors add up to a “small” film, when all is said and done, Industrial Animals ends up packing a fairly strong and somewhat unexpected punch.
If ghosts can think and remember who they are, then the physical brain is not the only place where we store our inner selves. Helen is asked to train two young women into the art of communicating with the dead. But Helen’s days as a medium are long gone. In fact, she gave up that life 15 years ago when she lost her daughter. Today Helen is a different woman dedicated to her career in brain research. Things start to change when a visit from the other side offers her the design of a device that can do amazing things. But to everything there is a risk.
A notorious killer dies in the electric chair in a maximum security prison. So great was his evil that Satan offers him a deal. He will get to go back to Earth as long as he sacrifices people to the devil and carves 666 on them somewhere. The guy, of course, accepts and gets reborn in the body of a drug dealer. He begins a trail of carnage that lasts throughout the movie.
A comatose five-year-old girl journeys through a dark industrial dreamscape, following her mother’s voice on a transistor radio to find her way back to consciousness.
A Peacemaker, who rejects his final mission to save an endangered planet, is believed to be cursed when a solar storm hits his spaceship.
An escaped maniac returns to his childhood home on Christmas Eve, which is now a sorority house, and begins to murder the sorority sisters one by one. A remake of the 1974 horror movie, Black Christmas.
In a quiet suburban town in the summer of 1958, two recently orphaned sisters are placed in the care of their mentally unstable Aunt Ruth. But Ruth’s depraved sense of discipline will soon lead to unspeakable acts of abuse and torture that involve her young sons, the neighborhood children, and one 12-year-old boy whose life will be changed forever.
A pack of werewolves known as the Hell Hounds wage a shadow war against a fanatical order of werewolf hunters called the Silver Bullets. The Hounds and the Bullets now roam the country appearing to the outside world as rival biker gangs.
Young urban professionals Jesse (Arye Gross) and his girlfriend Kate (Lar Park Lincoln), move into an old mansion that has been in Jesse’s family for generations. They are soon joined by Jesse’s goofy friend Charlie (Jonathan Stark), who brought along his diva girlfriend Lana (Amy Yasbeck), in the hopes of being discovered by Kate, who works for a record company. Jesse has returned to this old family mansion after his parents were murdered when he was a baby. While going through old things in the basement, Jesse finds a picture of his great-great grandfather (and namesake) in front of a Mayan temple holding a crystal skull with jewels in the eyes. In the background is a man Jesse learns is Slim Razor, a former partner of his great-great grandfather turned bitter enemy after a disagreement over who would get to keep the skull.
A schoolteacher with a phobia of hospitals finds herself searching for her boyfriend inside one while teaming up with a man suffering the same ordeal that she’s in.
In Black Friday Subliminal, an action packed suspense thriller from Robin Troja Films and the subconscious of Chauncey D. Henry, Esq., when an African-American NYPD officer adopts a fallacious disregard of the conspicuous, he becomes consumed by more than meets the eye.
