The protagonist of Dog Lady is a woman (Llinás) who lives on the outskirts of Buenos Aires with a pack of dogs, in a house like so many other humble shacks in the urban sprawl of the city.
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Stuck in a passionless marriage, a journalist must choose between her distant but loving husband and a younger ex-boyfriend who has reentered her life
Alice is a sailor. While her partner Félix waits for her on land, she sets off as second mechanic on the Fidelio, an old freighter. On board, she discovers not only that her predecessor has just died, but also that the skipper is none other than the first great love of her life. Alice finds a notebook in her cabin, apparently that of the former mechanic, and on reading its contents – accounts of mechanical problems, sexual conquests and lovelorn emotions – finds, oddly, that they mirror her own concerns. As they make stops at various ports, dealing with life aboard alongside an all-male crew and the swell and pitch of her romantic feelings, the young woman tries to stay on course.
Two aspiring academics and best friends take a road trip through Wisconsin to compete for the same university teaching job.
Tim is a bit of a loner. At school he gravitates towards another shy boy and they become friends. But the verbal and physical bullying by a gang of kids, as well as an aggressive use of social media, unsettle Tim’s new mate and he backs away from him – an act of cowardice which will have serious repercussions. As a result of Tim’s unwillingness to snitch, the bullies appear to get away with their actions, none more so than the gang’s leader Jeff. He’s one of the school’s star athletes, who seems guaranteed a place in the national championships with an 800m time of 1.54 minutes. When Tim decides to start training in order to go up against Jeff, even having a girlfriend as cover, his enemies seem willing to go to any lengths to stop him.
In the year after graduating college, Izzy struggles to navigate the seemingly incessant failures of adulthood, the reality of a substandard dating pool and a debilitating fear of top-sheets, all in between X-Files marathons. Comically unsuccessful in love over the course the year, including five half-hearted relationships with astoundingly self-centered men, Izzy resigns herself to the support of her mother and sister, who are struggling with their own relationship problems. Seeing herself in them, Izzy gradually gains the confidence to be honest and vulnerable.
In an alternate version of 1949 Japan in which World War II never happened, the Japanese capital of Teito is home to both an ultra rich upper class and the dirt poor masses. The city is thrown into a state of panic when a phantom thief called “The Kaijin (Fiend) with 20 Faces” (K-20 for short) begins to use his mysterious abilities to steal from the rich and give to the poor. One day a circus acrobat named Heikichi Endo (Takeshi Kaneshiro) is framed for K-20’s crimes and becomes determined to clear his name. He teams up with K-20’s next target, a wealthy duchess named Yoko Hashiba (Takako Matsu) and her detective fiancé (Toru Nakamura), to take K-20 down once and for all.
Walter is told by his boss, Sara, to deliver an urgent letter to Henri de Corinthe. On the way he finds a beautiful woman he had been eying in a nightclub, lying in the road, bound up. He takes her to a villa to get a doctor, and ends up being locked in a bedroom with her. While she is making love to him, he has visions of surrealistic images from René Magritte’s paintings. In the morning, the girl, Marie-Ange, has vanished, the villa looks derelict, and his neck is bleeding. Was it all just a nightmare?
Ricky spent years behind bars after taking the rap for his brother Rafael and his buddy Latif after a failed robbery. Now, Latif wants to express gratitude by letting Ricky in on a coup that will bring lots of money. After some hesitation, Ricky agrees, and gets his brother Rafael on board. Everything runs smoothly, until police officer Diana turns up on the scene. A nerve-wracking cat and mouse game is set in motion. Director Özgür Yildirim’s most recent film offers insight into Frankfurt’s gangster world. As before in CHIKO – which also starred Moritz Bleibtreu – he portrays the daily life of the criminal underground scene in a large German city.