The story of an adult and a teenage couple during a brief summer holiday by the sea. While Nic’s parents remain trapped in a precarious mutual dependency despite repeated attempts at reconciliation, their 12-year-old son tries to come to terms with his father’s traumatizing violent outbursts in games with other children. He tries to teach Marie, who is of his age and suffers from her own relationship with her father, to feel nothing. In fact, both of them are transformed by their experience of the joys and pains of first love.

After false reports of his demise put him and his work on the map, an artist decides to continue the charade by posing as his own brother. Soon, a reporter enters his life and has a profound effect on him.

Ray Charles plays himself in this film where he helps blind boy David (Piers Bishop) in his struggle to regain his sight. David’s over-protective mother Peggy (Mary Peach) is afraid of the risks connected with restoring his sight. Ray tries to help the whole family, offering the heavy-drinking Peggy’s heavy-drinking partner Steve (Tom Bell) an opportunity to work with his band.

A mother and daughter move to a new town and find themselves living next door to a house where a young girl murdered her parents. When the daughter befriends the surviving son, she learns the story is far from over.

In the real world you can’t just do what you want. In the real world you have to compromise. Mark Blazey does not want to live in the real world. Living in a semi-industrial coastal town, seventeen-year old Mark is a smart kid from a chaotic family who has just thrown away a scholarship to a private school and found himself at the local high. At school Mark is zeroed in on by an overbearing principal who dominates everything around him. At home Mark is dealing with a jail-bound brother, his grandmother is fighting for her life, and a mum who’s short fuse is kept doused with cask wine. His little sister is someone he wants to protect. When Mark finds his first real love he tries to escape all the forces in his life with her. But his love is with the daughter of his nemesis, the school principal. Simmering tensions boil over between the student and the teacher, between the son and his mother.

In 1877, in a watch factory in a valley in north-western Switzerland, Josephine produces balance spindles, tiny parts that ensure the agitation movement (“unrueh”) of the mechanical watches. She soon grows uneasy with the organisation of work and possession in the village and its factory and joins the anarchist worker movement of the local watchmakers. There she meets Piotr Kropotkin, a moony Russian traveller. The two of them meet at a time when new technologies such as time measurement, photography and the telegraph are transforming the social order and anarchist discourse is addressing emerging nationalism. During a walk in the woods, Josephine and Piotr ask themselves whether time, money and the government are not all but fictions.

Bloom Towne is a small-town sheriff under the thumb of the well-established, deeply influential Mayor Dick Cavanaugh’s family. When Bloom’s two teenage sons, Nate and Skylar accidentally shoot and kill Dick during a deer-hunt, Bloom’s long-held allegiance to the reigning Cavanaugh clan is tested. Skylar (still a minor) decides to take the wrap for his older brother Nate, claiming he fired the fatal shot. The Cavanaugh family’s quick retaliation sends Skylar on his way to county jail, soon to be tried as an adult. Desperate and guilt-ridden, Nate breaks Skylar out of jail and sets off a chain of lawless acts, which send them deep into the woods and on the run. Bloom’s choice between the law and his sons leads to revelations of old family secrets that threaten to destroy everything he loves.

Vastly different lives and perspectives become intertwined after a police officer suffering from reoccurring PTSD mistakenly shoots a deaf African-American kid, exposing layers of racial tension and corruption within the political, judicial and prison system.

A big new home, a lovely wife and a new job seem to steer Henrik firmly towards the middle age and a bourgeois lifestyle. There is, however, a substantial amount of boyish prankster still in him – sometimes a little bit too much. Director Martin Lund’s understated, offbeat humour often evokes Bent Hamer’s delightful studies of lone males (O’Horten, Kitchen Stories)

The true story of Captain Richard Phillips and the 2009 hijacking by Somali pirates of the US-flagged MV Maersk Alabama, the first American cargo ship to be hijacked in two hundred years.

Director Paul Mazursky (Scenes From a Mall) takes a bite out of Hollywood with a hilarious look at the artistic sell-out. Starring Danny Aiello, Dyan Cannon Shelly Winters, Jerry Stiller, Chris Penn, and Ally Sheedy, this merciless comedy exposes the underside of themovie land commercialism with a crisp sense of humor, a knowing edge, and supporting cast boasting the talents of Clotilde Courau, Barry Miller, Little Richard, Spalding Gray, and a host of celebrity cameos. Harry Stone (Aiello) always dreamed of making “The Great American Movie.” Instead he made The Pickle – a teenage sci-fi flick about a flying cucumber. Harry just wanted to get out of debt;and now everyone he’s ever known, loved and neglected is standing in line for tickets. In the angst-filled hours before the lights go down for the New York premiere, his mother, children, agent, ex-wives and girlfriend lend their support in this high-pressure comedy. Harry has no choice but to pucker up and laugh along.

A naval officer reprimanded after Pearl Harbor is later promoted to rear admiral and gets a second chance to prove himself against the Japanese.