Out of prison, notorious black-market currency trader Nelma Kodama exposes her part in a major Brazilian corruption scandal.

In 2012, after nearly a decade apart, original Killswitch Engage vocalist Jesse Leach reunited with the band he helped start back in 1999. The critically acclaimed, Grammy-nominated 2013 effort Disarm The Descent ensued. The band were once again back in the studio and back on the road where they belong, eventually leading to the release of their 2016 follow-up album Incarnate. This documentary is an honest, raw look at the unique personalities behind a band who have made a name for themselves by never giving up or giving in. This is the untold story of Killswitch Engage.

Dick Proenneke’s simple, yet profound account of his 30 year adventure in the remote Alaska wilderness continues in this sequel to “Alone in the Wilderness”. Watch through his eyes as he continues to document with his 16mm wind-up Bolex camera, capturing his own amazing craftsmanship, the stunning Alaskan wildlife and scenery and even a visit from his brother Ray (Jake). His epic journey takes you on a vacation away from the hustle and bustle of today’s fast-paced society, and is a true breath of fresh air.

Exposing piracy in Somalia from the inside out, The Pirates Tapes follows Mohamed Ashareh, a young Somali-Canadian, as he travels to Somalia in hopes of joining an active pirate cell. Armed only with a hidden camera, Mohamed works his way into a cell run by a ruthless warlord, Jama Donyal, and is assigned to his first hijacking mission. When things take an unexpected turn, Mohamed finds himself on the run from the law with the danger of execution looming.

Film which travels inside the singular world of one of Italy’s most famous fashion designers, Valentino Garavani, documenting the colourful and dramatic closing act of his celebrated career and capturing the end of an era in global fashion. However, at the heart of the film is a love story – the unique relationship between Valentino and his business partner and companion of 50 years, Giancarlo Giammetti. Capturing intimate moments in the lives of two of Italy’s richest and most famous men, the film lifts the curtain on the final act of a nearly 50-year reign at the top of the glamorous and fiercely competitive world of fashion. (Storyville)

The harrowing story of a woman trying to use Alabama’s Stand Your Ground law after killing a man she says brutally attacked her.

Climate is changing. Instead of showing all the worst that can happen, this documentary focuses on the people suggesting solutions and their actions.

Every Playmate in Playboy’s 50-Year history all in one collectors edition.

The life and career of the first African-American driver to compete in the Indy 500.

Over 75 years ago, 1,177 men lost their lives on the USS Arizona during the attack on Pearl Harbor. The ship, underwater, is a shrine and monument, visited by tourists, and the families of those who perished. New 4K footage shows us previously unexplored areas of the battleship wreckage.

Who was Joe D’Amato aka. Aristide Massaccesi? A genius of horror in the USA, a master of eroticism in France, the king of porn in Italy. A man with a thousand pseudonyms capable of making over 200 films while simultaneously holding the roles of producer, director, author, director of photography and even camera operator. An artisan of cinema as he liked to call himself, capable of working on all film genres. From spaghetti western to post-atomic, decamerotic to glossy eroticism, and blockbuster porn to bloody horror. Guided by the aesthetics of extremes and supported by an undeniable technical ability, Joe D’Amato pushed himself, and the viewer, beyond all limits following with dedication three rigid principles that have become his stylistic code: Amaze, Shock, Scandalize.

Filmed at the October 1968 meeting in Hawaii of several hundred police chiefs of the International Association of Chiefs of Police as they watch demonstrations of gruesome anti-riot weapons, sing patriotic songs, and defend their policies in front of the camera. Although filmed with the permission of the chiefs, the view is not sympathetic, sometimes funny, and more often frightening.