THE SPIRIT MOLECULE weaves an account of Dr. Rick Strassman’s groundbreaking DMT research through a multifaceted approach to this intriguing hallucinogen found in the human brain and hundreds of plants, including the sacred Amazonian brew, ayahuasca. Utilizing interviews with a variety of experts to explain their thoughts and experiences with DMT, and ayahuasca, within their respective fields, and discussions with Strassman’s research volunteers, brings to life the awesome effects of this compound, and introduces us to far-reaching theories regarding its role in human consciousness.
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A team of filmmakers take a tour of South America with mural artist and animator Blu, looking to see how his art and mind will be influenced through total immersion in foreign cultures. The team traveled through Mexico, Guatemala, Nicaragua Costa Rica and Argentina, and named the film after those countries. In the director’s words, “What came out was an unscripted film about improvisation, inspiration (and perspiration), innovation, self-exploration and all the other good things in life that end with -ion.”
Three young men bond together to escape volatile families in their Rust Belt hometown. As they face adult responsibilities, unexpected revelations threaten their decade-long friendship.
“I was visiting Jerome Hill. Jerome loved France, especially Provence. He spent all his summers in Cassis. My window overlooked the sea. I sat in my little room, reading or writing, and looked at the sea. I decided to place my Bolex exactly at the angle of light as what Signac saw from his studio which was just behind where I was staying, and film the view from morning till after sunset, frame by frame. One day of the Cassis port filmed in one shot.” -JM
The Coming War on China is John Pilger’s 60th film for ITV. Pilger reveals what the news doesn’t – that the United States and the world’s second economic power, China (both nuclear armed) are on the road to war. Pilger’s film is a warning and an inspiring story of resistance.
In Kenya’s Rift Valley province, giraffes have been reintroduced as part of a project, but animal rights activists, veterinarians and community representatives have to help the small herd when problems arise.
Award-winning film director and actress Rachel Ward is the last person you’d expect to join a farming revolution. Following the birth of her first grandchild, Rachel is confronted head-on by the impact of our climate crisis as Australia’s Black Summer fires descend on her farm. Besieged by drought and ecological despair, Rachel finds hope in the soil beneath her feet and embarks on a journey of discovery to regenerate the land on her farm, and herself.
An inside view of Barack Obama’s last days as the first African-American President, and the legacy he leaves behind.
Villa Empain was a passion, a vision, a plan, a home, an artwork. It is a heartfelt dream that was abandoned. Villa Empain, today, looks like it did in the 1930s, but it has turned into another entity held by the same fundament. The film compares the life of Louis Empain and his creation. It bears witness to how a fixed idea, an architect’s dream, disappears in favour of a living architecture.
A film about the work of painter Victor Rodriguez, whose sole subject is his ex-wife.
A “behind-the-scenes” insight of the Romanian wedding industry, with cameramen, photographers and singers from all around the country in the spotlight. Their life stories, their editing styles, their hands-on-approach know-how and, of course, their performances at weddings, mix up in a shortcut-style film. George Stirbat, the 30-something one-man-show singer from the small town of Onesti returned home after a mini-Broadway career and Petru Manici, the coal mine electrician from the mining town of Petrosani, are just two of the most interesting characters the film follows in their quest to achieve perfection for the bride’s and groom’s memories. Something to remember.
Since the beginning of her career, Sinéad O’Connor has used her powerful voice to challenge the narratives she was surrounded by while growing up in predominantly Roman Catholic Ireland. Despite her agency, depth and perspective, O’Connor’s unflinching refusal to conform means that she has often been patronized and unfairly dismissed as an attention-seeking pop star.
Global warming etc, new signs of the Apocalypse?