Doc McCoy is put in prison because his partners chickened out and flew off without him after exchanging a prisoner with a lot of money. Doc knows Jack Benyon, a rich “business”-man, is up to something big, so he tells his wife (Carol McCoy) to tell him that he’s for sale if Benyon can get him out of prison. Benyon pulls some strings and Doc McCoy is released again. Unfortunately he has to cooperate with the same person that got him to prison.

Through a series of flashbacks, four young chinese women born in America and their respective mothers born in feudal China, explore their past. This search will help them understand their difficult mother/daughter relationship.

Murat is a sound recordist who lives in Istanbul. He makes an unexpected connection in his records between a grandmother and a grandchild, which becomes a trip to the family’s past to strengthen their ties.

In L.A.’s Laurel Canyon, Karen has a dream that her sister Heather is in danger, but Heather seems safe enough, having just moved to a remote spur of the canyon to distance herself from her ex-husband. She’s a writer, and she’s soon met several men – Marcus, who helps her the day she moves in, neighbors Daniel and Marisa for whom she cooks dinner, and Michael her landlord who cleans her pool weekly. Daniel warns her away from Marcus even as he makes a play for her and invites her to participate in sexual escapades – some enjoyable, some not. Then it becomes clear that Karen’s anxiety dream was prescient. Who can Heather trust, and does she figure it out too late?

After a drunken house party with his straight mates, Russell heads out to a gay club. Just before closing time he picks up Glen but what’s expected to be just a one-night stand becomes something else, something special.

Mona Bergeron is dead, her frozen body found in a ditch in the French countryside. From this, the film flashes back to the weeks leading up to her death. Through these flashbacks, Mona gradually declines as she travels from place to place, taking odd jobs and staying with whomever will offer her a place to sleep. Mona is fiercely independent, craving freedom over comfort, but it is this desire to be free that will eventually lead to her demise.

Tae-san is a man who truly has everything —money, fame, and power. Everything that a man can desire. He has two women who he wouldn’t change for the world. They’re his only daughter, Mira, and a chart-topping pop star fiancée, Yuna. Tae-san wants them to get along, but Mira doesn’t take kindly to her stepmother-to-be. One day, Yuna gets killed in a horrific accident, and Mira is arrested as the suspect.

Lambert, a burned-out case, works the night shift at a gas station, rarely speaking, living alone, drinking. Bensoussan, raised in foster homes, now a small-time pusher for a bar owner named Rashid, comes to the station needing a spark plug for a stolen Moped. He and Lambert connect somehow, and a few days later, they go for a drink. The young man is too cavalier, and when he swipes Rashid’s fancy motorcycle a couple of times, he’s expendable. Lambert decides to avenge the young man and seeks information from Lola, a punk who knew Bensoussan. With surprising perseverance, she pierces Lambert’s shell; he starts to feel again, tells Lola his story, and finds new enthusiasm for life.

A wallflower finds himself the last man in the world after an unknown apocalypse. He sticks to the routines that keep him sane, but in a moment of nostalgia and heartache for lost love, he triggers a chain-reaction that sends him spiralling toward a deadly revelation.

Detective – turned – bodyguard Cynthia McKay (Cynthia Rothrock) is hired by a psychotic icy seductress, Nina Lindell (Lydie Denier), the same woman who killed Mckay’s lover months earlier. With vendetta in her heart McKay accompanies the flamboyantly playful womanizer through the glamourous world of the super-rich as his protector. In a unique role reversal, it is the woman protecting the man from another woman, erupting into a deadly triangle of passion, suspense and action.

A recently-deposed “Estrovian” monarch seeks shelter in New York City, where he becomes an accidental television celebrity. Later, he’s wrongly accused of being a Communist and gets caught up in subsequent HUAC hearings.

In a bleak Inverness midwinter, Luisaidh is careering off the rails after the suicide of her best friend. She medicates her misery with joyless sex, chips and a belief in the power of positive drinking. Surrounded by bittersweet memories, she struggles to find someone to talk to or some reason to make life worthwhile at the most stressful time of the year.